MUSIC MOTION, FANCY

Sunday, November 23, 2008Lots 1-156

November 23, 2008 in Morristown, NJ


Rare automata and musical boxes from the 19th century are featured, including several outstanding models never previously documented. Multiple images of many pieces capture the "actions" of acrobats, clowns, and magicians. 9" x 12". Hardbound. 158 full-color pages.

Live Auction

Showing 1 - 156 of 156

French Musical Scene Animee "The Monkey Landscape Artist" with Clock by Phalibois

French Musical Scene Animee "The Monkey Landscape Artist" with Clock by Phalibois

Lot #4

27" (69 cm.) Arranged upon an ebony wooden base under an oval glass dome is a costumed gentleman monkey,posed in a bucolic setting under a silk-leaved tree arbor,faux-mossy ground base and large paper-mache rock formation,The Monkey Artist stands in front of a wooden artist easel with canvas,and holds a palette and paint brush. He has a paper-mache head,glass eyes,grey mohair wig and beard,leather-skin jaw,carton torso,wooden hands,legs with painted stockings,and is richly dressed in silk shirt and breeches,and velvet vest. Movement and Music. In sequential and naturalistic movements,the Monkey Artist blinks his eyes,nodding and turning his head. He curls back his lip while his mouth moves,as though conversing with an unseen passer-by. Meanwhile he dabs the palette and then adds deft strokes to the canvas. Periodically,he pauses in a self-admiring way to contemplate his masterpiece,a still-life of flowers. Two tunes play. The animations are created by six,Phalibois-style cams. The two tune music is provided by the original,pull-string musical movement that can be changed at will by means of an exterior control. The original timepiece bears the maker's stamp on the rear "Japy Freres & Cie"; its original silk thread suspension was converted to spring suspension; the clock retains its original face,hands,and bell. Jean Phalibois,circa 1880,the scene animee was featured in the 1884 toy catalog of Silber and Fleming with the note "the manner in which it takes the colour from the palette and then proceeds to paint is very natural". The monkey artist was more often produced in a seated position without the clock; this standing version with clock is rare.

 
French Musical Automaton "Berg_re Watteau" by Jean Roullet

French Musical Automaton "Berg_re Watteau" by Jean Roullet

Lot #6

24" (61 cm.) A bisque-head lady with refined portrait modeling is posed standing upon a velvet-covered stand,having brown glass paperweight eyes,closed mouth,brunette human hair,bisque shoulder plate,carton torso and shapely legs,bisque forearms and hands,wearing a superb silk costume in the 18th century style,with matching bonnet and silk ruffle-edged apron,and holding a shepherdess crook. Appearing to be held in her right hand is a woven lidded basket is which is tucked a little lamb; the basket is actually attached to her torso by hidden metal rods. Movements and Music. Her head turns as though gazing at her flock of sheep while she lifts her crook to guide them along. Meanwhile the lid of her basket lifts,as though the baby lamb is just awakening. The lamb's head peeks out,turns side-to-side,and his mouth opens and closes. The shepherdess turns and nods at the baby lamb,gestures her crook tenderly as though to say "go back to sleep". The lamb bleats and tucks back into the basket. The lid closes. There are six movements and one tune. Jean Roullet,Paris,circa 1880,with commissioned bisque portrait head from the doll factory of Emile Jumeau,marked "Depose Tete Jumeau Bte SGDG 7". The automaton,known as "Shepherdess with Lamb" appeared in an early Roullet catalog named Berg_re Watteau in homage to the French painter Jean-Antoine Watteau whose early 18th century romantic paintings had idealized the French countryside. In variations of the automaton,the lamb was substituted by a baby goat,and the crook by a bouquet of flowers. $15,000/21,000

 
French Animated Singing Birds "Bosquet avec Oiseaux" by Bontems

French Animated Singing Birds "Bosquet avec Oiseaux" by Bontems

Lot #11

30" (76 cm.) x 22"w. x 12"d. Arranged upon an ebony wooden high base is a naturalistic setting featuring a large leafy tree that is populated with 17 colorful singing birds,and a butterfly,while nearby is a glass waterfall and pond. Movement and Music. The highly animated vignette includes birds looking down from above,some turning side-to-side and others pecking at the ground or drinking from the water pond. Twelve of the birds sing,with animation of the head,beak and wings,and two of the birds flit from branch to branch. The butterfly has wings a-flutter,and the waterfall appears to pour forth. Innumerable animations. Blaise Bontems,Paris,circa 1840-1850. The extremely early mechanism contains two small bellows which provide the lifelike chirping sounds,and a French clockwork motor driving a very long arbor that carries numerous wood,brass and steel-pegged cams,as well as turned wooden pulleys that create all the animations. The wooden cams and pulleys,combined with the general hand-crafted design of the mechanism,indicate that this is from the very earliest of Bontems production. Although,from 1849 onward,Bontems had advertised "mechanical pictures,musicians,and a new system for tightrope walkers" it is for these splendid bird scenes that his name is most remembered,although some critics of the time cuttingly noted that the birds were out of proportion to the tree,choosing to ignore the intricacy,fancy and romance of the piece.

 
Outstanding and Unique 19th Century French Musical Automaton "The Magnificent Peacock"

Outstanding and Unique 19th Century French Musical Automaton "The Magnificent Peacock"

Lot #19

54" (137 cm.) h. with tail up. Perched proudly upon a red velvet-covered walnut base above a fluted walnut pedestal is a life-sized Peacock with rich feathers in brilliant,iridescent,turquoise colors. The peacock measures 54" in depth with tail feathers down,and the width of the tail,fanned-out is 85". The peacock on pedestal with tail feathers up is 96" in height. Movement and Music. The Peacock begins its grand performance in the tail-down position,regally he turns his head and body separately from side-to-side. then he proudly raises his elegant tail plumage and fans his tail out for the fullest effect. The bird then turns side-to-side again,such that all can appreciate his beauty. At the conclusion,he lowers his tail back down in a graceful and realistic manner. All the while,music plays. The mechanism employs a spring-wound Vichy-style motor with four,large-diameter brass cams,some original and some replaced. The smoothness of the performance is partly due to roller bearing cam-riders. There is a two-tune 36-note Reuge musical movement,and while technically there are four animations,the entire performance is so seamless as to appear infinite. Maker unknown,likely French,mid-to-late 19th century,No other examples of this extremely rare model are known in this grand life-size. It was likely a special commission work,or created for presentation at Paris International Exhibition of 1878 or 1889. Although the Peacock had symbolic importance in the arts for more than 3000 years,it was during the later 19th century,especially in the Art Nouveau movement,that it came to full bloom. The homage to the Peacock in 19th century art can scarcely be over-stated. There was the scandalous Peacock Room decorated by James Whistler in 1876,the William Morris Peacock Tapestry of 1887,and the superb Indian Mayuri Peacock bowed lute,to name a few. Even within the world of magic,there was the grand-sized Peacock used by magicians such as Robert-Houdin,Maskelyne or the like,that relied on human aides off-stage to actuate the piece via hidden string linkages. This example,The Magnificent Peacock,with its original internal mechanism,functions beautifully,is perfectly preserved and a truly remarkable and unique automaton.

 
Rare English Automaton "The Archer" by David Secrett

Rare English Automaton "The Archer" by David Secrett

Lot #24

17" (43 cm.) x 13". Arranged upon a felt-covered wooden platform is an Archer seated on a chair of Italian baroque design,dressed in English medieval garb comprising mauve jerkin,leather hood and boots,yellow shirt and red pants. The head and body of the Archer,as well as most of his mechanisms,is of finely carved and highly finished wood,primarily native English yew and walnut. The base has glass panel sides so that the mechanism can be seen in action. Movement and Music: The Archer reaches down with his right arm to pick up an arrow from the revolving four-stage "capstan" at this side. Gripping this arrow between his finger and thumb,he lifts the bow in his left hand and places the arrow into position,leaning forward as if to take aim,and even closing one eye for better accuracy. A notch in the flighted arrow engages in the bow string as the left arm draws the bow to the point of highest tension,at which time the arrow is released and flies a distance of about six feet. The Archer follows the flight with his head,stamps his right foot in satisfaction,and sticks out his tongue. The act is repeated four times in succession. A 72-note Reuge musical movement accompanies the action. 16 animations. 3 tunes. David Secrett,England,1982. The artist's background was as an accomplished cabinet maker. He was inspired to create the Archer after witnessing the exceptionally rare Japanese karakuri ningyo version of an automaton Archer. Secrett built only a small number of the Archer,each varying slightly from the next in its actions,music or composition. The complex mechanism consists of a carved wooden fusee drive and string linkages operating from 16 cams. Structurally excellent except string linkages which are slackened and require readjustment.

 
Rare French Musical Automata "The Bubble Blower Marquis" by Leopold Lambert

Rare French Musical Automata "The Bubble Blower Marquis" by Leopold Lambert

Lot #28

26" (66 cm.) Standing upon a velvet-covered platform is a bisque-head gentleman costumed as Marquis with unique and highly characterized facial model,arranged periwig,inset glass eyes,blushed eyeshadow,cheeks and tip of elongated pointy nose,painted playing card markings on forehead and chin,carton torso and legs,bisque lower arms (right hand restored) wearing couturier-quality replaced velvet and silk brocade Marquis costume. He holds a bubble pipe in his right hand and a bowl of sudsy water in his left hand. Movement and Music. The Marquis dips the pipe into the bowl of sudsy water and raises it to his mouth. He then merrily blows the bubbles,an amusing childlike activity that is a charming contradiction to his aristocratic appearance. The bubble-blowing effect is created by the bellows mechanism inside his torso,pushing air through his band and into the pipe,thus causing bubbles to appear. Music plays throughout. Leopold Lambert,Paris,circa 1895,with very rare bisque head of unique sculpt that was created for automaton use only,its impish expression delightfully suited for the bubble-blowing activity. The head,signed with script letter N,was likely created by Jumeau who designed unique head models for automaton use,such as the Chinese Tea Server,and the Crying Child with Polichinelle (lots 36 and 103 of this catalog),Another automaton,with this same rare facial model,appears as a smoking Marquis,Lot#107 in this catalog,although other examples with this facial model are not known to exist.

 
Extremely Rare French Musical Automaton "Marchande de Masques" by Gustave Vichy

Extremely Rare French Musical Automaton "Marchande de Masques" by Gustave Vichy

Lot #34

36" (91 cm.) 43" with parasol. A slender-featured refined lady with paper-mache head having defined high cheek bones,and aquiline nose has a rich oil-painted amber-tinted complexion and facial features,brown glass eyes with dreamy expression achieved by heavy articulated eyelids,open mouth with row of teeth,and original black human hair with defined widow's peak. Over her carton torso she is wearing an original embroidered silk kimono costume with rich embroidery including a large and elegant crane,various under-layers,sash,and silk slippers,and carrying a very large wooden handled paper parasol,and lacquered tray on which are displayed paper-mache masks that she is offering for sale. Movements and Music. Holding a parasol in one hand and a fan in the other,the lady pivots her head,raises and lowers her eyelids,while gracefully twirling the parasol between her fingers and occasionally lifting the mask to cover her face and then lowering it again. There are two tunes that accompany the music. Gustave Vichy,Paris,circa 188 9,the model was actually presented in the Vichy catalog as model #448 named "Marchande de Masques" although commonly known as the Japanese Lady Mask Seller. The model was deposed by Vichy and bears the original Vichy trademark lever and key. So important was this automaton that it was described in an 1892 feature in the journal La Nature. This example is in a remarkable state of preservation,with superb original costume,tray,hanging masks and even extremely rare original parasol. It is functioning beautifully. Ex-collection Jacques Damiot,(Paris 1914-1983) before its acquisition by Jerry and Bunny Steinbaum,photographed in Les Automates by Eliane Margot (1959).

 
French Musical Automaton "Ethiopian Flutist" by Gustave Vichy

French Musical Automaton "Ethiopian Flutist" by Gustave Vichy

Lot #37

32" (81 cm.) Standing casually upon a velvet-covered flat base with one bare foot flat and the other posed on tip-toe is a handsome ebony-complexioned man with early style paper-mache/kidskin head with oil-painted features and complexion,brown glass eyes,articulated lashes,mohair lashes,ivory teeth,black fleecy hair,moustache,goatee and brows,gutta percha hands with articulated fingers,carton torso and paper-mache legs and bare feet. He is wearing a bronze silk shirt with blue silk tie,magenta silk satin jacket with silk collar and lapels,silk short trousers,earrings and carrying a maple wooden flute. Movements and Music. Raising the flute to his lips while simultaneously lowering his head. his fingers play the flute,each finger independently of the other in an extraordinarily lifelike manner. His hands are made of gutta percha so as to be subtle,yet firm enough to support all the interior linkages and springs for finger animation. Then,finishing his tune,he lowers the flute,blinks both eyelids as though in reverence for the music,turns his head from side-to-side,and moves his lips as though announcing the next tune. There are two tunes that are played in accordance with the action. Gustave Vichy,circa 1878,the automaton appeared as "Flutiste Ethiopien" in the Vichy historical catalog and was a deposed model by that firm,marked G.V. on the winding key. It is likely that the luxurious model was aimed at the wealthy international clientele that visited Paris during the 1878 International Exposition.

 
French Musical Automaton "The Ethiopian Harpist" by Gustave Vichy

French Musical Automaton "The Ethiopian Harpist" by Gustave Vichy

Lot #38

32" (81 cm.) Standing upon a velvet-covered flat wooden platform is a strikingly beautiful woman with leather-over-paper-mache head having ebony-black complexion and beautifully defined facial structure. She has brown glass eyes,articulated eyelids,painted features,slightly parted lips with double row of painted teeth,pierced ears,black fleecy hair,carton torso and and slender legs,and bare feet. Her hands have articulated knuckles allowing her to realistically play the harp strings. She is wearing a vibrant silk and lace costume that is an authentic copy of the original,of antique fabrics,along with matching red satin necklace,golden head-band and wrist-bands bedecked with golden medallions. The lady is posed behind a wooden harp decorated with cast brass woman's head figurals. Movements and Music. While music plays,she proudly lifts her long slender neck,turning her head side-to-side. She pauses at each side turn,blinks her eyelids a number of times,all the while playing the harp. The highly-articulated knuckles of her fingers bend in a realistic manner. The entire mechanism including the cylinder musical movement is concealed within her carton torso,and activated by the signature acorn-shaped Vichy stop/start knob. Gustave Vichy,Paris,circa 1870. The exceptional original and beautifully preserved complexion of the rare piece accentuates the delicate and realistic movement. A prominent model in the early Vichy catalogs,the model was considered a luxury creation in its size,number of animations,quality of music and fine detail of accessory.

 
Six-Tune Musical Automaton "The Bird Trainer" by Michel Bertrand After a Vichy Design

Six-Tune Musical Automaton "The Bird Trainer" by Michel Bertrand After a Vichy Design

Lot #40

43" (109 cm.) A high Renaissance-style minstrel from the halls of royalty is posed standing upon a velvet-covered stand,holding a flute in his right hand and with a brightly feathered bird perched on his left hand. His Asian-featured composition head,sculpted uniquely for this piece,has articulated eyelids and lower lip that opens to reveal the upper row of teeth and a mysterious yet gently smiling expression. He has black hair,moustache and goatee. His right hand has three articulated fingers to "play" the flute. The Bird Trainer is costumed in deep blue velvet with gold fleur-de-lis design,matching cape with orange lining and floral embroidery,lace cuffs,blue stockings and matching velvet slippers. The fleur-de-lis theme is echoed in brass decoration on corners of the platform,aside the brass plaque with maker's name,and even in the form of a double-fleur-de-lis winding handle. The body is of paper-mache,plaster and carved wood. Movements and Music,Beginning his lesson,the Bird Trainer nods,turns his head,moves his lips as if announcing the performance,blinks his eyes,and then brings the flute to his mouth. As he "plays" the flute,his fingers move,with the concealed cylinder music box sounding the melody. Then,removing the flute from his lips,he awaits the bird repeating the song. The bird takes its turn,turning its head from side-to-side,and then,teasingly,singing a different melody that emerges from a concealed bellows unit. Occasionally,the bird pauses,as though to reconsider,but never giving-in to imitate the man-made melody. The figure contains a long-running spring motor,and has nine animations and six melodious tunes. Michel Bertrand,Switzerland,1990,inspired by the 1890 Vichy original known as "Dresseur d'Oiseau". The figure represents a scene from the days when flute players were engaged to train caged birds to sing human melodies for royal amusement. Of the Vichy originals,only two examples are known to still exist. It is believed that Bertrand created only two examples of his inspired version of The Bird-Trainer,this being one and acquired directly by Jerry and Bunny Steinbaum from Michel Bertrand. It has rermained in the Steinbaum collection until this time.

 
The Rare and Celebrated French Musical Automaton "Clown Musicians on Stage" by Vichy Triboulet

The Rare and Celebrated French Musical Automaton "Clown Musicians on Stage" by Vichy Triboulet

Lot #42

30" (76 cm.) Standing upon a wooden platform with five-step stairway,gracefully-edged shape and painted and carpeted floor are two clowns,ready to perform. Each has a head modeled of plaster composition with oil-painted clown complexions and decorations,piercingly brilliant blue glass eyes,articulated eyelids,white mohair clown wig,and silk costume embroidered with musical symbols. One has a well-defined scowling expression and the other has a wide beaming smile with defined teeth. The "instruments" are whimsical confections,one wrought from a saucepan and the other carved of wood. Movement and Music. On cue,they begin their stage act,heads turning side-to-side,eyes blinking,and step-marching in unison while strumming their instruments. Then the sullen clown suddenly attempts to kick the cheerful clown off the stage. The cheerful clown is indifferent. He simply turns in the other direction and kicks out of sequence. Music accompanies their performance and a large Vichy-style motor drives the movements from six cams. Vichy/Triboulet,circa 1910. The automaton was acquired by Jerry and Bunny Steinbaum in a collection sale in Monaco in 1984. The scene of competing personalities,almost a comedy/tragedy theme may have been inspired by the vastly popular tales of "Jean qui rire" and "Jean qui pleure" that were fixtures in Parisian popular culture at the end of the 19th century,and whose manifestations included Offenbach's 1864 operetta and the early silent film of Louis Lumiere that showed in Paris in 1897.

 
Very Rare French Musical Automaton " Hercules,the Weight-Lifter" Attributed to Roullet & Decamps

Very Rare French Musical Automaton " Hercules,the Weight-Lifter" Attributed to Roullet & Decamps

Lot #45

36" (91 cm.) h. x 16"w. x 20"d. Standing upon a wooden rectangular platform is a trim but muscular weight-lifter,having head and hands of painted paper-mache with highly characterized face,sandy hair,blue glass eyes and articulated eyelids. He is re-costumed appropriately in vintage silk and velvet ensemble designed to add drama to the performance,and he stands before a red velvet-covered wooden bench upon which his weight is resting. Movement and Music. Hercules bows at the waist until his upper torso is nearly parallel with the floor before he reaches for his weight,grabbing it with his right hand and proceeding to lift it as he raises himself back in an upright position. Then his arm continues to lift the weight even higher. He handles the performance with grace,smiling all the time,and pauses,looking side-to-side with eyelids blinking. He resumes his act,lowering and returning the weight to the bench. He releases the weight and comes up empty-hands,proud of his accomplishment. The animation is excellent,controlled by a clockwork motor with five brass cams in the base. There is an appropriate non-original musical movement that plays four tunes. Attributed to Roullet & Decamps,circa 1900,an extremely rare model. Although the overall designs is closer to Henry Phalibois,the cams are of brass in the Decamps manner. An identical example was featured in the "Festival Mondial l'Automate" in Brussels,and a later electrified version is on exhibition in the Musee d l'Automate in Souillac,France. The Hercules theme was also presented by Vichy,model 537 in his catalog,named "Hercule faisant les halteres" although no examples are known to exist. Further,the 1900 wholesale catalog of Reiner,Pelzer & Co of Cologne offered a coin-operated version in a floor-standing arcade cabinet.

 
Extremely Rare French Musical Automaton "Street Performing Duo" by Phalibois

Extremely Rare French Musical Automaton "Street Performing Duo" by Phalibois

Lot #53

33" (84 cm.) h. x 29"w. 15"d. Standing upon a large wooden platform with pale golden velvet cover and with a velvet-covered balustrade,pedestal and urn in the background is a rakishly smiling handsome black-complexioned man with paper-mache head,glass eyes,articulated eyelids,hinged jaw with painted teeth,wiry black hair and goatee,slender carton torso and legs,paper-mache hands,wearing a silk patterned shirt and patterned velvet breeches,leather shoes,and holding a five-string banjo. Alongside is his young companion,having black-complexioned paper-mache head,glass eyes,black fleecy hair,carton torso and legs,wearing brown velvet suit,and carrying a wooden hoop. Movements and Music. Standing proudly,the Banjo Player is the star performer. He turns his entire body from left-to-right as though swaying to the music,strums his five-string banjo,moves his head from side-to-side and taps along to the music with his left leg,blinks his eyelids and opens and closes his mouth as though singing along,all the while ignoring his young companion who is making his own attempt at entertaining the on-lookers. The young boy swings his hoop to and fro,lifts his right leg,then his left,and then he leaps entirely up in his attempt to jump the hoop - alas,never succeeding. Two tunes play. There are a total of 11 animations deriving from just 9 wooden cams on the inside. Henry Phalibois,Paris,circa 1910. The animations are very untypical and no other example of this model is know to exist.

 
Superb French Musical Clock with Highly Animated Acrobats,Possibly Phalibois

Superb French Musical Clock with Highly Animated Acrobats,Possibly Phalibois

Lot #61

30" (76 cm.) A gilded,garland-entwined arrangement is set upon an oval ebony-wooden base,centering a theatre-like mirrored alcove in which a boy acrobat performs balancing acts on the soles of his fellow acrobat. Above the alcove is a clock (unsigned) with enameled,porcelain dial,spring suspension,two-train time and strike (hours and half-hours) and its original pendulum. Movements and Music. Extraordinary and numerous variations on the acrobat's dance include the up & down movement of both his thighs,both his calves in-and-out,his left arm,the lifting-off of his cap in salutation,and his head nodding. The adult figure on his back moves both his legs side-to-side as well as turning his head side-to-side. The animations are controlled by a large,pinned and bridged wooden cylinder mounted above the musical movement and drive by the latter's mainspring. There are 11 cam-riders,7 which direct finely threaded connections that pass directly up and into the rear of the boy acrobat in order to effect the separate animations. The four-air cylinder musical,serial number 21194,has a 5_" l. cylinder and a cast brass,copper-plated bedplate. There are 11 animations and four tunes.Phalibois,Paris,circa 1865,with musical movement of L'Epee of Sainte-Suzanne/Montheliard,France. When seeking a quality musical box,it was not uncommon for Parisian automaton-makers to chose their fellow countryman rather than Swiss makers.

 
French Automaton "L'Homme Serpent" by Michel Bertrand with Vichy Lineage

French Automaton "L'Homme Serpent" by Michel Bertrand with Vichy Lineage

Lot #62

34" (86 cm.) length of base. 24" acrobat. 39" overall. Set atop a stepped stage platform with velvet-covered round wooden pedestal table is an crobatic contortionist,having painted staff/composition head,blue glass paperweight eyes,flocked brown hair,and open mouth exposing his teeth. He is dressed in a satin clown costume with black stockings and satin shoes. The table is rested upon a large platform with five steps on either side. Movements and Music. He lies on his stomach upon the table which swivels as he makes a scissor movement with his legs while nodding his head. He then raises his legs. The table swivels again. He raises his head,lifts his stomach off the table and arches his back in an amazing contortionist manner,with his legs raised high. He repeats the scissor movement before lowering himself back onto the table and scissoring his legs once more in the horizontal position. The mechanism is quite ingenious; the man's uniquely partitioned body consists of sections,each occupied by a wood block,and the blocks are interconnected by multiple hinges,thence by strung linkages that pass through his left shoulder/arm/hand and down the table into the base where the cams actuate the movements. The performance is deft,smooth,subtle,and lasting for quite a long cycle. Accordingly,there are six musical tunes. Inspired by the original Vichy model #622,this model was created by Michel Bertrand of Switzerland,successor to the original Vichy firm,using some original Vichy/Triboulet parts from the original Paris workshop,including the man's finely sculpted head with original paint,the torso mechanism,and a six-tune musical movement. Completed in 1990,commissioned by the Steinbaum's,Michel Bertrand's signature is inside the base.

 
Superb French Musical Scene Animee

Superb French Musical Scene Animee

Lot #64

27" (69 cm.) Arranged upon an ebony wooden oval base with glass dome is a garden-like setting with an over-reaching tree with silk leaves and flowers,on cartonnage ground with decorated architectural details. A tightrope is arranged in center front of the scene and posed upon it is a male tightrope dancer,who is accompanied by lady and gentleman musicians who stand below. The performers have bisque heads with sculpted hair and painted facial features,painted wooden hands and legs and original rich silk theatrical costumes. Movement and Music. The tightrope dancer balances tentatively on the rope as his legs move randomly up and down. He nods his head up and down. The male violinist "bows" with his right arm while turning his head side-to-side,and the female harpist moves both forearms as if to strum while also turning head head side-to-side. A musical movement,concealed in the base,provides sound accompaniment. Phalibois,circa 1875,the early model employs the finest automaton of performers costumed felicitously,and performing in a realistic and awe-inspiring manner. An indication of the luxury nature of this particular automata is the London store label on the underside,for "Peters & Son,The Strand,London,W.C." The theme of tightrope dancer was popular throughout European and British society in the 19th century,both in actual human performance and in miniaturized representations _ scenes animees _ to be presented in the salon. Silber and Fleming,the London retailer,presented several variations of Phalibois' "Mechanical Rope Dancer" in their catalog.

 
French Musical Automaton "Clown Balancing on Two Chairs" by Renou

French Musical Automaton "Clown Balancing on Two Chairs" by Renou

Lot #65

18" (46 cm.) Arranged upon a wooden stage platform,designed to appear as though it is merely a floor board held up by two saw-horses,are two wooden chairs centered by a paper-mache-headed clown with highly characterized face,glass eyes,painted clown decorations on white complexion,two-toned mohair wig flailing wildly in three directions,paper-mache torso and legs,bisque hands and wearing his original silk acrobat/clown costume. The clown is leaning on the backs of two chairs. Movements and Music. Balancing with his hands on the chair backs,he raises himself vertically above the stage. Then while the chairs slowly tilt outward,he continues to lift himself,persisting until he is at a nearly upright hand-stand,his legs forking back and forth while he ascends. Pausing,as though for applause,he then slowly begins his descent,until returning to the original position. Music plays throughout. Louis Renou,circa 1900. In 1886 Louis Renou took over the firm Dehais & LaForest. The firm specialized in games,toys and novelty items,and Renou carved a niche for himself by designing and building smaller-sized automata with simple mechanisms and,often,humorous effect. In this way,he was able,in theory,to sell the pieces at a lower price point and,hence,to a wider audience than were buying the luxury automata from Vichy or Roullet & Decamps. Notwithstanding,his marketing efforts fell short,and today his charming automata are rare and hard-to-find.

 
Musical Automaton "The Gymnast with Two Chairs",in the Vichy Lineage,by Michel Bertrand

Musical Automaton "The Gymnast with Two Chairs",in the Vichy Lineage,by Michel Bertrand

Lot #69

33" (84 cm.) Standing upon a handsomely-finished walnut base with red velvet cover that serves as his stage is a Gymnast,posed between two white wooden chairs. The Gymnast has a sienna-tinted composition head with clown markings,inverted v-shaped eyebrows,black mohair wig,glass eyes,and open mouth with cherry red lips that expose a row of teeth,carton torso and legs,composition hands. He is dressed theatrically in billowing silk trousers and sleeves,velvet embroidered vest,turban,wide cummerbund,and pointed gold slippers with faux-emerald settings. Movements and Music. He stands proudly as though waiting for the music to signal his performance. The music begins and he slowly raises his right hand,nods to the audience. He then takes hold of the chair in his right hand and lifts it off the ground. He then replaces the chair on the floor and performs a handstand,balancing on two chairs. He repeats the handstand,but this second time,he also raises the chair while still in the handstand position. The overall performance,having ten animations,is graceful and smooth.Michel Bertrand,Switzerland,1984,patterned after Vichy's deposed model 517,"Gymnast",yet having Bertrand's signature twists of design including both chairs facing forward,instead of one to the side,a slightly different sequence of animations,and a different performer model,this with facial model sculpted by Bertrand uniquely for this automaton. "The Gymnast with Two Chairs" was commissioned from Bertrand by Jerry and Bunny Steinbaum in 1984,a quarter century ago,and has been in their possession since that date.

 
French Musical Automaton "Black Fruit Vendor with Surprises" by Leopold Lambert

French Musical Automaton "Black Fruit Vendor with Surprises" by Leopold Lambert

Lot #70

26" (66 cm.) An ebony-black paper-mache man with richly-painted complexion,glass eyes,paper-mache hands,torso and lower legs,is standing upon a velvet-covered wooden platform,appearing to be holding a velvet-covered tray containing a paper-mache pear and peach.. He in dressed is rich silks and velvets.Movements and Music. Appearing to be standing before a prospective customer,the seller nods his head as though bowing,nonchalantly turns his head side-to-side,and blinks his eyes. His peddler tray,attached to his torso by metal rods,leads to the hidden mechanism. The pear and peach have hidden hinges at the back,and they alternately open to reveal two quite different "surprises": the serenity of a twirling doll,versus the menacing expression of the monkey which turns its head,blinks its eyelids and moves its lips. There are nine movements and two musical tunes. Leopold Lambert,circa 1885. The automata was an international favorite,offered in the 1888 London catalog of Silber and Fleming,and creating the question of when,actually,do the "surprise" doll and monkey begin their performances? Is it when the fruit lid opens? Or have they been secretly "dancing in the dark". A.J.L. Wright,writing in the Journal of the Musical Box Society of Great Britain in 1966,gives the answer: "rather as one assumes that the light in a refrigerator only comes on when the door is opened,so one tends to think that the small automata each start up in turn as the top of the fruit lifts,but in fact...they never stop". This example is in beautifully preserved condition,ex-1984 collection auction in Monte-Carlo,Monaco to the Steinbaums.

 
French Musical Automaton " Magician with Two Musician" Attributed to Phalibois

French Musical Automaton " Magician with Two Musician" Attributed to Phalibois

Lot #71

21" (53 cm.) h. x 24"w. x 11"d. Standing upon an oval ebony wooden base in an elaborate arrangement are three bisque-head figures,each with fine portrait-like face,blue glass eyes,painted features,closed mouth,mohair wig,carton torso,paper-mache hands,and painted wooden shoes. Standing center is the Magician,posed behind a magician's table on which are resting two cones,and at each side,seated,are accompanying musicians,one with violin and one with cello. Each figure is richly costumed in lavish silks and velvets,and the table and floor are finely finished. Movements and Music. The Magician sweeps her hand as though to call attention to the performance,then nodding her head and alternately turning side-to-side in accompaniment to the perfectly synchronized act,she lifts the cones,sometimes singly,sometimes in unison,to reveal the secret hidden beneath that has magically changed each time. Throughout,the musicians play instruments,and nod and turn their heads. The movements are activated by an all-original clockwork motor driving 3 wooden cams clusters having a total of 11 cams,controlling 10 figure animations as well as the table magic trick which has 5 complete changes of both objects. An independent pull-string-wound musical unit plays 2 different melodies,changeable and operable at will.Attributed to Phalibois,Paris,circa 1880. The luxury quality of movements and music,is complemented by the exquisite bisque heads,fine quality of costuming and accessories including the original matching table and floor coverings. A nearly identical example appears in the Murtogh Guinness Collection at the Morris Museum. Ex-collection Carole Jean Zvonar.

 
French Musical Automaton "Fruit-Seller with Surprises" by Gustave Vichy

French Musical Automaton "Fruit-Seller with Surprises" by Gustave Vichy

Lot #73

25" (64 cm.) Standing upon a velvet-covered wooden platform,slightly leaning forward as though displaying her basket of wares,is a paper-mache lady with rich dark brown oil-painted complexion,brown glass eyes,articulated eyelids,open mouth with double row of teeth,brunette mohair wig,carton torso and legs,paper-mache hands. She is wearing a rich costume of silk and silver with gilded ornaments,and appears to be carrying a rectangular peddlar's basket with interwoven ribbons. Inside the the basket are three silk-petaled flowers with hinged lid arrangement. Movement and Music. The woman turns her head from side-to-side,while her eyelids blink,lending an animated impression. The basket,which is actually connected to the woman by a metal bar at her torso which controls the mechanical wires,begins to "come alive" as though the flowers were abloom,and alternately,the flowers open up to reveal their activity: a little mouse circles around and around chasing his tail,a tiny bisque doll with antique costume circles as though dancing,and a paper-mache monkey turns side-to-side,blinks his eyelids,and his mouth opens and closes as though chattering "Choose me,choose me". There are 11 animations and two musical tunes. The controls are a signature style Vichy winding key and single-ridged acorn-shaped pull lever. Gustave Vichy,Paris,circa 1885,a similar model was shown in the London 1884 catalog of Silber and Fleming. The theme was popular with Vichy who created several variations of the peddler theme with "magical surprise". Not only was the animation of the flowers a surprise,but when the tiny hidden figures began their performance,it added to the delight.

 
Rare French Coin-Operated "Clown Illusionist" Musical Automaton Attributed To Phalibois

Rare French Coin-Operated "Clown Illusionist" Musical Automaton Attributed To Phalibois

Lot #74

6' 7" height. A handsome,floor-standing,oak-veneered cabinet,with gallery and finials,frames a theatrical staging that is fronted by a glass-paneled door. Posed in the theatre is the star performer,a clown,with painted paper-mache head and hands,smartly redressed in black jacket,lustrous white shirt and waistcoat,turquoise blue breeches and pale yellow stockings with black shoes. He holds a black fan in his right hand and a gigantic black die in his left hand which rests upon a metallic gold table decorated with a musical lyre. The lower half of the professionally-refinished cabinet contains a separately-wound and independently operated Regina disc-musical box,along with storage drawer for paper materials. Movements and Music. The mechanism contains a set of six,carved wooden cams in the signature Phalibois style. At the drop of an old English penny,the clockwork motor is released,and the clown comes "alive". The Clown first nods his head in salutation to his audience,than raises the open fan in his right hand to hide his face. Next,he lowers the fan,revealing that his head has disappeared! Then the die cube lifts open to reveal that his head has re-appeared on the table,under the die. The action repeats,his head is again mysteriously placed upon his head,and finally,the die cube is again lifted to reveal that the tabletop is empty. Accompanying the movement is a rich,great-sounding Regina Music Box of the same era,which has replaced the original Kalliope box. The Regina Music Box is of the desirable,short-bedplate,double-comb style with the original zither attachment and slow/fast control; its manual play/stop control is reached from inside the cabinet. There is a stock of Regina and Polyphon discs in fair/good condition included. Circa 1900. Built as an entertainment piece for amusement in a public place such as hotel lobby or arcade,the automat,or coin-operated amusement pieces,appeared in turn of the century German catalogs such as that of Kallioipe Musikwerke of Leipzig (see illustrations,as shown in Encyclopedia of Automatic Musical Instruments by David Bowers,p. 111),Ernst Holzweissig or Reiner,Pelzer & Co. Some of these coin-operated amusements included French automata. It is certain that Phalibois was among those who supplied the automata,further substantiated by his signature wooden cams that appear on this example. The expensive luxury nature of the pieces,as well as their low survival rate owning to the constant use that they received in public places,makes any example today extremely rare.

 
Musical Automaton "The Clown Illusionist" by Michel Bertrand

Musical Automaton "The Clown Illusionist" by Michel Bertrand

Lot #76

7" (94 cm.) Standing upon a handsomely carved and finished wooden base with velvet floor cover,the front panel of which is centered by a marquetry diamond depicting a song sheet and juniper leaves,is a festively dressed Clown. The Clown has a highly characterized composition head with painted white complexion and clown decorations,glass eyes,fleecy reddish brown hair,and is dressed in a red cotton shirt decorated with black stars,striped bow tie,silk slippers and black socks,and suspender-held satin yellow pants bearing a black criss-cross pattern and a painted green frog that is seemingly climbing up his pants. Next to the clown are arranged two over-sized dice,and the floor is decorated with a magician's top hat,his white gloves,and scattered playing cards. Movements and Music. Standing with pink handkerchief in right hand and a black fan with painted floral spray in his left left,he gently brings the fan up in front of his face,and when it is lowered,his head has suddenly disappeared into thin air! He waves the handkerchief,and then the lid of the upper dice opens and up pops his smiling head! The lid closes,he raises his fan once again,and,with a flourish,he lowers the fan to reveal his head once more in its rightful position. Two tunes play throughout. Michel Bertrand,Switzerland,1988,commissioned by Jerry and Bunny Steinbaum who have been the sole owners of the piece until this time. The piece was inspired by a model by Henry Phalibois,circa 1900. This Bertrand example was under construction for the Steinbaums when the author Daniel Troquet came to interview Bertrand for his book,The Wonderland of Music Boxes and Automata (Les Editions du Cochet,1989),and the book features several full page photographs of the piece in different state of being built,along with commentary by Bertrand of how he came up with his concept,sculpted the molds,patterned the cams,designed a mechanism and such. A copy of the book is included with the automata.

 
Musical Automaton "The Clown Conjuror with Six Secrets" in the Vichy Lineage by Michel Bertrand

Musical Automaton "The Clown Conjuror with Six Secrets" in the Vichy Lineage by Michel Bertrand

Lot #77

38" (97 cm.) Arranged upon a burgundy velvet-draped rectangular wooden base is a Conjuring Clown,standing behind a pedestal table upon which he is about to perform sleight-of-hand. The Conjuring Clown has painted composition head and hands,eyes,large painted eyebrows in the shape of an inverted "v",pinkish nose and smiling red lips revealing a row of teeth. He is dressed in a multi-colored outfit comprising a white shirt,gold satin waistcoat,gold and red clown's neckerchief and cuffs,deep maroon velvet jacket,red pants and black shoes. The table before him has a gold-colored pedestal and is draped in green velvet with gold fringe. In his right hand,he holds the top of a large,red conjuring cup and in his left hand is a white magic wand. Movements and Music. While music plays,the Clown nods and looks around him. He blinks and moves his mouth as if talking to an assembled crowd of on-lookers,and waves his magic wand. As he raises and lowers the upturned red cup,objects appear and disappear in six successions: mouse,jewelry,flowers,goldfish,dice and bird in a cage. The movements are executed with grace and dexterity,directed by a large clockwork mechanism with eight cams hidden within the base. The six-tune musical movement is an antique one of good quality. Michel Bertrand,Switzerland,1993,under commission by Jerry and Bunny Steinbaum,inspired by the earlier automaton "Clown aux boules mysterieuses",as shown in the original Vichy/Triboulet early 20th century catalog. Bertrand was the successor to the Vichy/Triboulet/JAF firm and incorporated many of the original period Vichy parts in his creations which were often,as this one,interpretations of the earlier pieces.

 
Musical Automaton "Le Buffet Magique" by Michel Bertrand,in the Vichy Lineage

Musical Automaton "Le Buffet Magique" by Michel Bertrand,in the Vichy Lineage

Lot #78

33" (84 cm.) A tableau arrangement presents a mischievous young man who has perched himself on the counter of his grandmother's kitchen cupboard. The cupboard is artfully crafted of lightly finished mahogany with bun feet,brass fittings and stained glass cupboard doors. The boy has a painted composition head with glass eyes,brown mohair wig,composition hands and carton body. He is dressed in a silk shirt and rich maroon velvet jacket and breeches,with brown socks and nicely cobbled leather shoes. He holds a biscuit in his hand.Movements and Music. The little boy is set upon finding jam for his biscuit. He reaches for the cupboard door which magically springs open. A fly appears and "flies" up the edge of the left-hand door,out of the boy's reach. It is then that he catches sight of the jar of gooseberry jam on the second shelf. But before he can reach it,the jam jar suddenly spins around,transforming itself into the white-haired,wrinkled facial image of his stern grandmother,her wire-rimmed glasses moving up and down on her nose and her jaw dropping in alarm as she begins to scold him for his act. In response,the boy gestures with his hands,nods and sticks out his tongue. The cupboard door magically closes shut,and a startled mouse appears scuttled from his hiding place behind an apple on the counter. There is an ingenious clockwork mechanism with seven cams that direct a seemingly greater number of movements. Two tunes play throughout.Michel Bertrand,Switzerland,1983. The automaton,commissioned from the artist by Jerry and Bunny Steinbaum,was modeled after the original Vichy automaton of 1910,and perfectly captures its flavor. Few examples are known to exist.

 
French Musical Automaton "Pierrot Serenading the Crescent Moon" by Lambert

French Musical Automaton "Pierrot Serenading the Crescent Moon" by Lambert

Lot #79

22" (56 cm.) A slender-bodied paper-mache Pierrot with painted white complexion,brown glass eyes,open mouth,brunette wig,bisque hands,is holding a lute and wearing original costume comprising silk jacket,black shirt,fitted knit leggings and pointed brown slippers,is seated on the tip of an artfully curved crescent moon. The moon has a sculpted moon face in profile,with glass eyes and an open mouth with hinged jaw,and the entire arrangement is set upon a supportive foundation of paper-mache clouds.Movements and Music. Pierrot nods and turns his head while strumming the lute,then sassily sticks out his tongue at the moon; the moon,meanwhile,winks his eye and open and closes his mouth as if responding in appreciation. There are six animations and two tunes. Leopold Lambert,Paris,circa 1890. The piece combines two of the most popular and evocative symbols of popular culture,Pierrot and the moon,into a single scene where they appear to be communicating. The automaton maker,Vichy,had first created Aubade a la Lune (Ballad to the Moon) about 1885 when his workshop was under the direction of then-foreman,Leopold Lambert. Lambert later left Vichy,and created his own automaton studio,creating among other pieces,a nearly identical version of Aubade a la Lune. Vichy sued for counterfeiting,but the Tribunal held he had not filed his design in a timely manner,and Lambert won the case. The story of the lawsuit is hold in The Encyclopedia of French Dolls by Theimer,pp 334-338. This example bears the Lambert signature winding key. It is overall in excellent,all-original condition,has never been opened and operates very nicely. Ex-collection Jerry and Sylvia Cohen,ex-collection Jerry and Bunny Steinbaum.

 
French Automaton "Buffalo Bill Smoker" by Gustave Vichy

French Automaton "Buffalo Bill Smoker" by Gustave Vichy

Lot #82

28" (71 cm.) Standing upon a velvet-covered wooden platform is a tall and slender gentleman,posed pretentiously,one leg angled to the side. He has a paper-mache head with elongated slender shape,aquiline nose,brown glass eyes,articulated eyelids,hinged jaw,double row of painted teeth,brunette human hair in flowing style,long curled moustache and goatee,elongated carton torso,slender legs,paper-mache hands sculpted as wearing gloves. He is wearing his original kidskin costume with theatrical-like beaded trim,fleecy collar,wide belt over velvet sash,paper-mache knee-high boots with straps,and signature horseshoe fob. He holds a cigarette holder in his right hand,and a rifle in his left hand.Movements. He opens and closes his eyelids as though anticipating the pleasure of smoking,turns his head side-to-side,leans his head down,lifts the cigarette holder to his mouth and inhales. He then lowers the cigarette,tilts his head back in satisfaction and exhales. Although it appears that he actually inhales and exhales,actually the smoke moves through a series of hidden internal rubber tubes. Gustave Vichy,circa 1890,the model was deposed by Vichy as "Buffalo Bill" and appears in a classic costume worn by the celebrity for his Wild West Show that toured Europe at this time to grand success. It is the only model on which Vichy actually bestowed the celebrity's name in his catalog description. An original brass Vichy plaque appears on the velvet base. Ex-collection Samuel F. Pryor,Jr. from which it was acquired by Jerry Steinbaum.

 
French Musical Automata on "Little Tich" by Roullet et Decamps

French Musical Automata on "Little Tich" by Roullet et Decamps

Lot #83

30" (76 cm.) Standing upon a wooden platform with velvet-covered sides and slatted-wooden floor to simulate a stage floor,is a highly characterized man with gentle smile,oil-painted complexion with rosy make-up on nose,cheeks,ears and chin,brown glass eyes,articulated eyelids,closed mouth,sculpted details of forehead wrinkles,and brown human hair. He has carton torso and hands posed to be able to hold his hat,over-sized feet with painted black shoes,and is wearing a green woolen suit with purple lapels and red buttons,silk vest with double row of brass buttons,white shirt,and silk tie.Movement and Music. He stands as though on-stage,pausing before beginning his performance. Then he alternately taps his amusing over-sized feet,first one,then the other. He blinks his eyelids,bends amazingly far forward while simultaneously lifting his right arm,thus extending his hat to the audience. He,then,slowly raises himself while drawing his hat back to his body and finally stands,open-hatted,satisfied with his performance. Music plays throughout. Roullet & Decamps,Paris,circa 1910. The English stage performer,Henry Relph,billed as "Little Tich" was the realistic inspiration for this amusing automaton. The highly characterized face,unique to this model,aptly resembles photographs of Relph,as does his performance. Relph was a small man and his unique performance was based upon wearing shoes that were "half as long as he was tall". A popular performer in Paris as well as London,he became clubby with Montmartre society from which the inspiration for many automaton designs was drawn. The "Little Tich" automaton was apparently exhibited at the 1908 International Exposition of which one juror,Serre Telmon,wrote that "its elegance is equaled by its ingenuity...Little Tich accompanies his dancing,his gesture and his legendary poses with blinking of the eyes." Few examples are known to exist of this rare piece.

 
Rare French Musical Automaton "Loie Fuller on Crescent Moon" by Roullet et Decamps

Rare French Musical Automaton "Loie Fuller on Crescent Moon" by Roullet et Decamps

Lot #84

24" (61 cm.) h. x 18"l. An imaginative vignette features a paper-mache crescent moon slice rising from a bank of puffy clouds,the moon having classic moon-face with painted complexion and features,blue glass eyes,and open mouth with movable tongue and painted teeth. Poised on one tip-toe on a point of the moon is a bisque-head ballerina,having brown glass eyes,closed mouth,nicely painted features,blonde mohair wig,and wearing fine lace-over-silk pale rose costume,and having painted ballerina slippers. Movements and Music. The ballerina pirouettes en point on her right leg,occasionally performing en avant with her left leg. Bending side-to-side at the waist,she gracefully holds the corners of her gown to lend a fluid and graceful action. Meanwhile,perhaps in gratitude for her lovely performance,the moon blinks its eyes and saucily sticks out its tongue. Two merry tunes play. Roullet et Decamps,Paris,circa 1890,the automaton appeared in the firm's early catalog as #321 described as "Loie Fuller". American-born Louise Marie Fuller was a theatrical celebrity in America,considered a pioneer of modern dance,but not until she had reached Paris did Fuller she feel she was taken seriously. Remaining in Paris,she became a star of Folies Berg_re,her work considered an embodiment of the Art Nouveau movement,and her Serpentine Dance,the subject of an early 1896 film by the Lumiere Brothers. Her dance performances received special notice at the 1900 Universal Exhibition in Paris,and,had licensing been prevalent at the time,she would have been wealthy merely from the many ways her name was used on products to lure her adoring public. Roullet et Decamps' "Loie Fuller",one of very few automata in which the figure was an actual person,is a very rare and fine example of this adoration.

 
French Musical Automaton "Whistling Schoolboy" by Henri Phalibois

French Musical Automaton "Whistling Schoolboy" by Henri Phalibois

Lot #89

33" (84 cm.) A tall and lean paper-mache boy with sans souci character expression is posed upon a velvet-covered cylinder-shaped wooden base,posed nonchalantly with arched back and outstretched hands with extended right index finger. His head is modeled with puckered cheeks and an open mouth shaped as though whistling. He has blue paperweight eyes and articulated eyelids,and is wearing original midnight blue velvet jacket,breeches and beret,leather shoes,and stockings. A leather schoolbook satchel is slung around his neck. Movements and Music. The schoolboy tilts his head from side-to-side and blinks his eyelids alternately in mock ridicule of his surroundings,while lifting and lowering his right forearms at rhythmic internals. He alternately "whistles" two casual tunes including "Daisy Bell",1892,(more often known by its line "A Bicycle Built for Two"). The other tune is one in which the boy hits some flat notes,designed to accentuate his demeanor. Like his father Jean before him,Henry Phalibois appropriated the birdsong mechanisms of Bontems to his own designs. There are three well-functioning animations and two tunes.Henry Phalibois,Paris,circa 1900,the automaton was marketed as "Le Potache",and so favored by Phalibois that it became the symbol of his firm,adorning his ads and letterhead from 1900 onward. Over time,Phalibois created variations on this model that were large or small,that whistled different tunes,and which were home models like this one,or coin-operated versions for public amusement like one in the Murtogh D. Guinness Collection at the Morris Museum.

 
Musical Automaton "Ernst,L'Artiste and the Monkey Portrait" by Bertrand,After Vichy

Musical Automaton "Ernst,L'Artiste and the Monkey Portrait" by Bertrand,After Vichy

Lot #91

35" (90 cm.) A stylized figure of an artist in the Van Gogh manner is perched on the top rung of a ladder-back chair,holding a sketch pencil in his right hand and a clothbound sketchbook in his left hand. He has a composition head and hands,pale green paperweight eyes,wiry black hair,moustache and goatee,and articulated eyelids and lower lip. His rich costume confirms that he is no starving artist,featuring a patterned yellow cotton shirt with oversized purple silk necktie,black velvet silk-lined jacket with designs of a painter's palette on one lapel and a set of paint brushes on the other,trousers with a plaid multi-colored pattern,striped socks and brown leather shoes. Over his left shoulder is a low-slung,velvet-covered quiver decorated with playing cards and holding his paint brushes and pencils. Movements and Music. The Artist blinks his eyes alternately in humorous fashion,and he turns and nods to look down at his work while drawing his pencil to the sketchbook and moving his lower lip as if mumbling. All the while,his shoulders shrug,but alternately from each other,and he draws his right leg up as if to cross the other. After some sketching,his left arm swings out to present his finished work,a portrait of a gentleman monkey. But,suddenly,the page turns as though from a wind gust,to reveal the same monkey portrait with its jaw wagging and its hat dancing on its head. The highly animated scene is amplified by the Artist's brush quiver rising and falling each time he shrugs his shoulder. The highly complex mechanism consists of two sets of cams,five larger and three smaller,rotating at different speeds on separate shafts and causing the illusion of some eleven movements to take place. Steel linkages pass from the mechanism in the chair seat,up the back of the chair and into the Artist's body. A musical movement plays two tunes. There are 8 cams and 11 movements. Michel Bertrand,Switzerland,1982,after a Gustav Vichy piece with many original Vichy parts. The automaton was acquired from Bertrand by Bunny and Jerry Steinbaum in 1982 and has remained in their possession until this time. Another example is in the Guinness Collection at the Morris Museum,and it is believed that only a very few of this very appealing and complicated model were ever made.

 
French Musical Automaton "Pierrot Ecrivain" by Gustave Vichy

French Musical Automaton "Pierrot Ecrivain" by Gustave Vichy

Lot #93

27" (69 cm.) Arranged upon a carpeted wooden platform is a wooden writing desk and elegant salon chair upon which is seated the popular culture figure of Pierrot,a quill pen in his hand,and an oil lamp,inkwell,and parchment letter on his tableside. Pierrot has a paper-mache head with classic whitened complexion,reddish hair,glass eyes,articulated kidskin eyelids,carton body,composition hands and is dressed in classic white silk Pierrot costume with conical hat and black pom-poms. Movements and Music. Pierrot's left forearm is poised near his head,as if he is reflecting upon the message. His right hand holds a quill pen,which he moves across the paper as if scribbling,first hurriedly,and then slowly as though contemplating his wording,then rapidly again. He pauses,and then gradually falls asleep,his eyelids closing as the lamplight dims down. After a pause,he wakes up and,seeing the lamp is no longer burning,stretches out his left hand as if turning up the wick. The light burns brightly once again. He turns his head,blinks and continues to write. Two tunes are played. Gustav Vichy,Paris,1890,the automaton appeared in the Vichy catalog as #518 entitled "Pierrot Ecrivain",with G.V. depose. The automaton was designed to be demonstrated in a darkened room with oil lamp lit,for best effect. The realism of the animation is created by a very complicated set of cams in the mechanism. The mechanism is concealed in the clown's torso,with linkages passing into the table and controlling the movement of the wick. Pierrot's classic costume,brass lamp and brass inkwell are appropriately replaced,and the automaton functions perfectly in a very realistic manner. Pierrot,a centuries old figure originating in Italian theatre,was revitalized in late 19th/early 20th century Paris,evolving from rogue status into an evocative,romantic figure of popular culture. Ex-collection of Samuel F. Pryor,the automaton was featured on the 1982 auction catalog cover of his collection,then acquired by Bunny and Jerry Steinbaum where it has remained until today.

 
French Musical Automaton "Street Musician with Young Boy and Dog" by Phalibois

French Musical Automaton "Street Musician with Young Boy and Dog" by Phalibois

Lot #94

34" (86 cm.) h. x 23"w. x 16"d. Standing upon a wooden platform with architecturally-detailed base to simulate a cobbled street is an adult man with paper-mache head with oil-painted complexion and features,hinged jaw,very characterized expression,carton torso and legs,composition hands,and wearing shirt and patched trousers,long flannel coat with red lining,worn top hat and shoes,and holding a guitar. At the side is a wooden dog house containing a flannel-covered paper-mache dog. Seated on the roof of the dog house is a paper-mache boy with original street urchin costume,holding a bottle. Movements and Music. The street musician nods and turns his head,opening and closing his mouth as though singing along with his guitar music. His right hand strums the guitar and lifts higher on occasion,while his left hand holds the guitar,lifting and sliding along the length of the neck. And then,most surprisingly,a runny nose will appear and disappear. Meanwhile the boy's head lifts up to look at the musician as his shoulders shrug and his right arm raises up so he can take a swig from his soda bottle. The dog's head bobs up and down as if enjoying the music,too. There are 10 animations and 2 tunes. Driven by a large-sized Phalibois clockwork motor,the unit contains ten Phalibois carved wooden cams,accompanied by a 2-tune musical movement. Henry Phalibois,Paris,circa 1910. The unique and very rare automaton depicting a Paris street scene incorporates humor,childhood,music and street entertainment and dogs,all designed to attract the attention of passers-by. It was likely used as a window display,possibly in the window of a pharmacy judging from the musician's cold symptons. It is an excellent example of Henri Phalibois' later,more raffish-looking caricatures.

 
Vignette Automaton "The Organ Grinder's Dream" by Michel Bertrand

Vignette Automaton "The Organ Grinder's Dream" by Michel Bertrand

Lot #99

46" (117 cm.) h. x 35"w. x 21"d. An amusing vignette is arranged on a large wooden base with faux-cobblestone surface,depicting a weary and forlorn organ grinder sitting despondently on a park bench beneath a tall street light,his barrel organ next to him. Arranged on the park bench are the remains of his supper,French bread,can of fish,strawberry jam and a knife for cutting. His jacket dangles from the park bench. A bottle of wine is in his hand.Movements. The organ grinder turns his head and looks up at the lamp which is lighting. Periodically the Grinder lifts his bottle and sips wine. He struggles to keep his eyes open,but fails; his eyelids droop. His lower lip opens and closes as if he is mumbling. He slumps over,his head on his arm,his body sliding,and his right leg moving to regain his balance. As he sleeps,his coat "comes alive" and the arm of his coat begins to turn the barrel organ. Hearing the music,the organ grinder stirs. He looks up at the clock on the street lamp which dims as he does so. The night is over. In an animation finale,a mouse darts through the scene. A heavy-duty clockwork motor drives a total of 11 brass cams and the organ music is synchronized to play only when the organ-grinder falls asleep. The music is provided by a concealed tape deck with hidden speakers within the organ,and this plus the motor that turns the crank on the organ is powered by a 12-volt nickel-clad,rechargeable battery hidden within the barrel organ. There are 11 animations. Michel Bertrand,Switzerland,1985,"The Organ Grinder's Dream" was created on special commission from Jerry and Bunny Steinbaum. One of Bertrand's most complex and creative compositions,it was inspired by Vichy's "La Pochard",model 524bis,yet although developed with a more fanciful storyline.

 
French Musical Automaton "Elegant Lady at Her Piano" by Gustave Vichy

French Musical Automaton "Elegant Lady at Her Piano" by Gustave Vichy

Lot #101

18" (46 cm.) A velvet-covered wooden stage presents a vignette of an elegant lady posed on a stool at her piano,ready for her performance. The lady has a bisque poupee head attributed to Gaultier,blue glass eyes,closed mouth,nicely painted features,pierced ears,blonde mohair flowing curls with black velvet hair ribbons,carton torso and legs,metal hands,and is exquisitely costumed in silk brocades and lace. The piano is of fine rosewood with ebonized finish borders and sides,bone and ebony spring-tension keys,and features shaped columns,ormolu three-arm candle holders and side handles,music sheet,and Sevres cobalt blue vase with silk flowers.Movement and Music. The lady pianist moves in a realistic manner,turning and nodding her head as if alternating between reading the sheet music and watching her hands on the keys. Her forearms move sideways across the keyboard,and,independently up and down as her hands approach the keys. A signature Vichy stop/start knob initiates both the action,and the spritely operatic music,emanating from a 52-note Swiss movement. The rear of the piano contains an access panel by which the mechanism may be viewed in action. Four tunes are played. Gustave Vichy,Paris,circa 1878,an early model from the illustrious firm,possibly created for,and exhibited at,the 1878 Universal Exhibition in Paris where Vichy exhibited his automata for the first time. This example includes the original paper tune label,two of the airs being a devotion to the composer Metra,conductor of the Folies Berg_re in Paris from 1872-1877.

 
Rare and Exquisite French Musical Automaton "Lady at the Harp" by Vichy

Rare and Exquisite French Musical Automaton "Lady at the Harp" by Vichy

Lot #102

32" (80 cm.) Posed upon a superb circular wooden platform with velvet-covered under-base and velvet carpet is an amber-complexioned adult woman. She balances on one foot,her other foot backward and posed on tip-toe,supported at her back by a classic pedestal column,and at her side by the exquisite floor-standing harp which she is about to play. The lady has a head of staff/composition with beautiful oil-painted features,enhanced by subtle blush. Her brown glass eyes have articulated eyelids,her mouth is closed with a hint of painted teeth on the slightly smiling expression. She has long flowing brunette human hair. She has carton torso with graceful lady shape that accentuates her slender and shapely paper-mache legs with leather cover having original finish and painted sandals. Her forearms are of paper-mache with gesso overlay and the articulated wrists are covered in leather to hide their internal joint mechanisms. The wooden arch-shaped diatonic harp,known as cythare,has polychrome,hand-painted scrollwork and a decorative figurehead of a god with horns at its front base. The lady is garbed in flowing silk chiffon with metallic gilt lace,allowing and enhancing her gliding movement. Movement and Music. Her elegant pose accentuates the graceful movements. The Harp Player gracefully turns her head from side-to-side,blinking her eyelids,and periodically gazing upward,then down,as both of her arms glide freely in a realistic plucking of the harp strings. Not only is there movement of her arms,but also independent movement of her articulated wrists. Her breastplate moves up and down as though she is breathing. Music plays throughout. Vichy/Triboulet,Paris,circa 1895-1905. The automata,deposed model,#486,appeared in the firm's catalog named "Merveilleuse jouant de la cythare". The catalog description,using such terms as timidite and troublee,indicated the highly emotional feelings she was meant to depict as she prepared to perform her solo. Overall,this model is emblematic of the period when Vichy's creations included more ambitious architectural touches that were "as one" with the theme. The extremely rare model shows a staggering amount of planning on every detail. A highlight of the Steinbaum Collection,acquired from the Merrick Collection. Dr. and Mrs. Byron Merrick of Berlin Heights,Ohio hosted the founding meeting of the Musical Box Society at their home in 1949 and this piece was demonstrated there at that event.

 
French Musical Automaton "Little Girl with her Toys" by Leopold Lambert

French Musical Automaton "Little Girl with her Toys" by Leopold Lambert

Lot #104

15" (38 cm.) x 13" x 13". Seated upon a wooden platform with tapestry carpet is a bisque-head doll with blue glass eyes,mohair lashes,open mouth,porcelain teeth,blonde mohair wig,carton torso and lower legs,and bisque arms. She is wearing her original aqua silk dress with lace collar and hem trimmed with silver beads,matching bonnet,and is holding a little all-bisque doll in matching costume in her left hand,while in her right hand she holds a rattle. Arranged around her are toys comprising another all-bisque doll seated on a nodding-head donkey,and a carved bone ball and cup game. Movement and Music. The doll looks to the left and leans forward,blinking her eyes,and lifting her little doll several times as though in play. She sits back,nodding back and forth in contemplation of what to play next,and then lifts her right hand to shake the rattle. Her right foot kicks up and down in delight. Music plays.Leopold Lambert,Paris,circa 1895,with original bisque head marked "S.H. 1039". The model was actually deposed by Lambert in 1894 as "mechanical bebe doll". A departure from his standard line of exquisitely costumed standing bebes with two or three simples motions,it was actually quite complicated. His aim was to show the child in a realistic play situation. In his patent application he provided an endearing description of his design process. "I placed a child on the floor and surrounded him with his toys. I took careful note of the movements made by the child and I have managed to imitate the entire range of these movements". In both his written description and in the accompanying illustration,Lambert referred to "him",yet every example every found of the model has portrayed a girl child at play. The present example has original rare red paper label "L.B. Brevet Paris",and paper tune label indicating the song Petit Paysanne.

 
French Bisque Musical Automaton "Elegant Lady Reclining on Recamier" by Leopold Lambert

French Bisque Musical Automaton "Elegant Lady Reclining on Recamier" by Leopold Lambert

Lot #106

19" (48 cm.) h. seated upright x 24"l. x 12"w. Posed in a refined and elegant manner upon a silk-covered wooden-framed recamier with fringed decorations and velvet pillow,is a bisque-head lady. She has a bisque portrait face with slender and elongated facial modeling,aquiline and upturned nose,blue glass paperweight eyes,closed mouth,and fine painting of features. Her brunette mohair wig is arranged in upswept coiffure of the era,and she wears a sheer muslin ruffled over-dress on green silk satin,trimmed with red silk ribbons over her shapely elongated carton torso and slender legs daintily crossed at the ankles. The square-cut neckline of her gown is designed to show her separately modelled shapely bisque bosom to advantage. Movements and Music. As though welcoming a visitor to her salon,the elegant lady turns and nods her head,appearing to arise,while alternately fanning herself with her right hand,and dabbing her face with the handkerchief held in her left hand. She pauses,and then reclines again,evidently having satisfied the social demands of her high station. Music plays. The movements are actuated by three brass cams plus two steel stud-cams within the clockwork mechanism,the movement having attached L.B. winding key.Leopold Lambert,circa 1890,with bisque portrait head commissioned from Emile Jumeau. The Jumeau head,a very rare luxury model from that firm,affirms the luxury nature of the piece,as does its rarity; few other examples of this automaton are known to exist . A variation of the lady in recamier was shown in the Roullet et Decamps catalog,although it was only half the size of this luxury example.

 
Rare French Musical Automaton "The Singing Lesson" by Leopold Lambert

Rare French Musical Automaton "The Singing Lesson" by Leopold Lambert

Lot #108

26" (66 cm.) Arranged upon a green velvet-covered wooden base is a singing master,posed with baton before an ebony wooden music stand and his female singer who is poised,ready for her performance. He has paper-mache head,brown glass eyes,articulated eyelids,hinged jaw,fleecy brown mohair wig,mohair moustache and is wearing a black satin tailcoat with blue lining,embroidered waistcoat,gold silk breeches and gilt fob. She has a bisque portrait-like head,bisque shoulder plate,blue glass paperweight eyes,closed mouth,pierced ears,blonde mohair wig,and is wearing a lovely silk gown and having silk flower coronet. Movement and Music. The persons move independently and yet in synchronic action to each other. The singing master takes charge,turning from side-to-side,and inclining his head as though to read the sheet music. Keeping time with the baton in his right hand,he directs the singer with his left,while blinking and moving his mouth as though to encourage the singer. All the while,she turns from side-to-side,then raises the book of sheet music she is holding,and leans backward as though ready to raise her voice in song. The realism is enhance by double articulation of each arm and 12 different animations provided by 8 cams and large 2-airs cylinder movement. Leopold Lambert,circa 1890,likely created under special commission. The luxury automaton-vignette appears to be a companion to Lambert's "The Conversation" (Monaco Museum) in which the same paper-mache gentleman and his lovely bisque-headed lady companion are seated together on a bench. No other examples of "The Singing Lesson" are known to exist.

 
French Musical Automaton "Young Girl With Toy Theatre" Attributed to Gustave Vichy

French Musical Automaton "Young Girl With Toy Theatre" Attributed to Gustave Vichy

Lot #110

24" (61 cm.) Standing upon a velvet-covered wooden platform is a bisque-head doll holding a toy theatre with two bisque performers in her left hand and a third small bisque performer in her other hand. The girl has blue glass paperweight inset eyes,closed mouth,applied pierced ears,beautifully painted features,brunette human hair over cork pate,carton torso and legs,composition lower arms. She is wearing burgundy silk bebe dress and matching bonnet with Alencon lace. The bisque performers have sculpted hair and painted facial features,muslin bodies and original folklore style costumes.Movements and Music. The little girl proudly displays her favorite toy,a little miniature theatre. Then turning side-to-side to capture attention of on-lookers,she demonstrates for all to see. Nodding forward,she twists her wrist back and forth causing the little dolls to dance in a puppet-like action. She then moves her right arm toward the theatre as if wishing to add another doll to the performance,then pauses,reconsidering. The act goes on. Music plays. Attributed to Gustave Vichy,Paris,circa 1885,with bisque head marked "Tete Jumeau Bte SGDG 8". The extremely rare model was considered in the luxury class,offered in the 1884 Etrennes catalog of the Paris Au Louvre store at 290 frances,about 10 times the price of a luxury doll in the same catalog. Few examples are known to exist.In a late 19th century photograph of the Baker-Troll showroom in Geneva,Switzerland,featuring luxury floor-standing music boxes,two automata are also displayed; this model is one of the two.

 
French Musical Automaton "L'Incroyable" by Leopold Lambert

French Musical Automaton "L'Incroyable" by Leopold Lambert

Lot #111

24" (61 cm.) Standing upon a velvet-covered wooden platform in a very stylized foppish manner is a bisque-head man with movable blue glass eyes,open mouth,row of teeth,painted features,brunette mohair wig,very slender elongated torso and legs,and bisque forearms. He is holding a ribbon-wrapped cane in his right hand,and an elaborate gilded ormolu lorgnette in his left hand. He is wearing a very elaborate fashionable costume comprising black satin tailcoat with ivory lining,floral printed silk waistcoat,silk fitted pants with peculiar (worn) lace cover,black leggings,silk slippers,and black top hat.Movements and Music. He stands proudly,as though displaying his fashionable attire for all to see,then turns his head side-to-side,nods and,in an unusual movement,opens and closes his eyes. He alternately lifts his cane,and then his lorgnette to his blinking eyes,perhaps astonished that another passer-by is attired in a finer costume. Two tunes play,according to the original paper tune label listing Dollar Princess and Ct. de Luxembourg Valse No.1. Leopold Lambert,circa 1895,with bisque head marked "1159 Germany Simon & Halbig (6),and representing L'Incroyable,a fashionable movement of the late 18th century in which rebellious young men appeared in highly exaggerated and outrageous costume,such as the lace pants on this example. Known as Les Incroyables (the incredible ones),the name came to signify the entire rebellious movement of the time.

 
Very Rare 19th Century Musical Automaton "Polichinelle and the Dancing Dolls"

Very Rare 19th Century Musical Automaton "Polichinelle and the Dancing Dolls"

Lot #120

40" (102 cm.) h. x 28"w. x 17"d. A box-shaped wooden case with painted and stencilled designs has double front door designed to pop open when the center "target" pin is struck; a fold-down door at the bottom gives access to the mechanical and musical works. Inside,is a fanciful scene with painted walls and curtains centered by a large seated Polichinelle with violin surrounded by three dancing couples (six dolls). Polichinelle has well-sculpted paper-mache head with blue glass eyes,articulated eyelids,artfully painted features,mohair periwig,carton torso and legs,paper-mache hands,and is wearing superb silk costume,striped stockings,upturned-toe slippers,and lavish bicorn hat. The dolls have bisque heads with glass eyes,closed mouth,mohair wigs,original silk costumes. Movements and Music. When the metal bullseye target on the door is struck,the doors release simultaneously,rather like the opening of a stage curtain,and the action begins. Polichinelle both nods and turns his head side-to-side,blinks both eyelids,and plays his violin with bow arm moving both up-and-down and to-and-fro in a most realistic manner. The couples twirl about as though dancing. The interior clockwork motor,of heavy iron and brass construct with main drive shaft carrying a large wooden pulley (which animates all the dancers as well as music) and six wooden cams that control all of Polichinelle's movements,is wound at the front. Music plays.Maker unknown,circa 1885. the animated "surprise" display,possibly early traveling carnival amusement is very rare,especially as it retains original painted decorations,inside and out,and imaginative presentation of figures.

 
Very Rare and Early French Musical Scene Animee "Stone Masons Building the Cathedral"

Very Rare and Early French Musical Scene Animee "Stone Masons Building the Cathedral"

Lot #140

28" (71 cm.) Presented upon an ebony-finished tall wooden base with gilt-pencil-striping inlay is a highly animated scene of stone-cutters working on the construction of a splendid Gothic-style Cathedral. The Cathedral itself is constructed of heavy card with painted bricks and marble on front and sides,and having applied richly ornamented and gilded spires,arches,windows,towers,and other architectural details. A ladder reaches to an upper tower,and at the side is a tall two-story scaffolding indicating the site of work in progress; one inanimate wooden figure is posed on the scaffolding. The foreground scene comprises six carved wooden figures,stonemasons,having finely carved and painted features,and original cloth costumes. Centered on the Cathedral is a working clock with porcelain with Roman numerals and skeletal pointers; it is a seven day movement with silk thread suspension,original suspension,and replaced bell with nickel-washed surface,striking on the hour and the half-hour. The entire scene is beautifully preserved under its original tall flat-sided glass dome with painted interior scene of sky,clouds and forest (some flaking of sky paint,old repair at bottom back).Movements and Music. Five workman furiously work at their crafts,chiseling,sawing,carving and finishing,each posed with the work object in hand,and suitable tool. The animation and music are driven by a separate clockwork motor with five wooden wheels bearing steel peg "spokes" acting as the individual cams directing the movement of each workman. There are five animations and one tune. Maker unknown,circa 1825. The clock bears the maker's stamp "L.Marti et Cie". Animated diorama scenes were made by skilled artisans,often on special commission,to commemorate significant occasions or simply as a remembrance of an event or a location. These ranged from the simple sand toy scenes such as those created by Pierre Landras of Paris,circa 1800,to the highly animated clockwork Scenes of Daily Life in Old Basel by Emil Wick,circa 1880. A similar model to the present example is in the Murtogh Guinness Collection at the Morris Museum except featuring carpenters rather than stone masons. This present example is outstanding for its superb artistry and realistic animation. The fine quality of clock indicates further its luxury origins.

 
French Musical Automaton "The Clarion Soldier" by Vichy

French Musical Automaton "The Clarion Soldier" by Vichy

Lot #144

19" (48 cm.) A paper-mache structure depicting an early stone fort with towers,wide stairs and a hinged door at the front,is arranged upon a wooden frame. Posed on the roof of the fort as though he has just climbed the stairs is a paper-mache French soldier in full regalia including original silk uniform with brass buttons,kidskin leggings,brown shoes,and bi-corn hat with French rosette medallion. He holds a tassel-trimmed silver bugle. Movements and Music. The soldier appears to sweep the horizon,turning his head from side-to-side,and then,as though needing to sound attention,he brings the bugle to his lips. In synchronized time,several bugle calls emanate from the Lioret wax phonograph cylinder and system hidden inside the fort. To complete the realism,when the soldier lowers his bugle,the bugle sounds end. The cams control not only the soldier's animations,but also the cylinder. The fort is constructed to allow the sound to escape via the open door,side window and open-top tree stump.Vichy,Paris,circa 1895. In conjunction with Henri Lioret who invented the phonograph system. It was Lioret's intention,according to his patent description,to incorporate his design into all sorts of toys and dolls. Accordingly he joined up with Vichy to create this rare piece. The alliance appears to have been short-lived; few examples were ever made. This example has an original brass plaque labeled "Le Soldat au Clarion,Automate du X1X siecle" and appears to be ex-collection Jacques Courtois,as photographed in the book Les Automates (ABC Collection).

 
French Musical Automaton "The Peasant and His Pig" by Gustave Vichy

French Musical Automaton "The Peasant and His Pig" by Gustave Vichy

Lot #145

34" (86 cm.) A wooden ladder-back chair is resting upon a wooden platform,and posed on the back top rung of the chair is the Peasant,holding a paper-mache pig in his lap,seated as though the pig is a little child. The Peasant has a composition head with exceptional characterization and modeling detail,brown glass eyes,articulated eyelids,articulated bottom lip,painted teeth,original painted finish with ruddy complexion,and brunette mohair wig. He has a carton torso and legs,hinged right hip,and expressively posed fingers,a biscuit held between two fingers. The Peasant wears a rose sateen smock and plaid cotton collar,black and white woolen checkered pants,flannel top hat,and leather shoes (preserved beneath the smock is his original white shirt and aqua silk waist coat). The pig has glass eyes,double-curled tail,artistically painted pigskin,and a movable tongue between open lips. Movements and Music. The Peasant seems to take great delight in teasing his pet piglet. Turning and nodding his head,and blinking his eyelids,he moves his right hand,holding a biscuit,toward the hungry piglet. Just as the piglet leans forward,turning his head and moving his tongue in and out in anticipation of the treat,the Peasant pulls the biscuit away,heaving his shoulders up and down as if laughing,and stomping his foot on the chairseat in delight. The Peasant's lips move all the while,as if he is chattering and teasing the piglet. There are nine animations and two accompanying tunes. The large Vichy clockwork motor powers a mechanism that features five brass cams actuating some six animations of the Peasant and three movements of his pet,as well as the musical unit. Gustave Vichy,Paris,circa 1895. One of his most celebrated models,yet very few are known to exist,this being one of the earliest examples and in fine original state of preservation.

 
French Musical Scene Animee "The Monkey Professor and Student" by Phalibois

French Musical Scene Animee "The Monkey Professor and Student" by Phalibois

Lot #146

26" (66 cm.) Arranged upon an oval ebonized wooden platform,under a glass dome,is a grassy setting shaded by a large paper-mache tree with whose branches are laden with silk leaves and flowers. Underneath is posed a Monkey Professor,seated at his teacher's lectern-style desk,facing a Monkey Student who is too small to reach the blackboard without standing on a stool. The blackboard displays arithmetic lessons and a chalk drawing of a capped and bearded monkey. The blackboard and faux-grain paper-covered furniture are of wood. the painted monkey heads are of paper-mache with articulated kidskin jaws,glass eyes and mohair wigs. They are dressed regally in silk caps,jackets and breeches with gilt trim and buttons,and painted shoes. The professor is holding his lesson books and teaching stick,and the Student is holding chalk.Movements and Music. The Professor waves his stick and moves his head and jaw as if reading from his lesson book. The Student responds by moving his right hand to write his sums on the blackboard,as he glances alternately from his teacher to the blackboard,his jaw jabbering as if in an animated exchange. The model has 7 cams to animate the Professor,and 3 cams for the Student. There are two tunes,according to the original paper tune label,La Dame Blanche,and Les Cloches du Monastere. Jean Phalibois,Paris,circa 1880. The top of the governor is double-stamped "J. Phalibois A Paris",the musical movement is stamped "J. Phalibois" on the bedplate,and an ink script on the inside of the base reads "Maitre d'ecole,No.3". Unlike most other makers who used brass cams,Phalibois favored the use of carved wooden cams to program the animations; this may have been an outgrowth of his beginnings in the cartonnage business,deftly using inexpensive materials for ever more elaborate creations.