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Monday, July 23, 2012Lots 1-299

July 23, 2012 in New Orleans, LA


An auction of rare and beautiful dolls from fine private collections in America and Europe, Theriault’s traditional summer auction promises and delivers the best of the best, making it the must-be event for your summer trip. More than 300 of the finest examples are presented in a Theriault’s award-winning catalog. 10" x 10". Hardbound. 140 full-color pages.

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Showing 1 - 299 of 299

Extremely Rare French Bisque Bebe with Gutta-Percha Body and Bisque Hands by Huret

Extremely Rare French Bisque Bebe with Gutta-Percha Body and Bisque Hands by Huret

Lot #54

18" (46 cm.) Very pale pressed bisque socket head with dainty features centered in the plump rounded face with pronounced double chin,light bulb-shaped neck,ice-blue enamel glass inset eyes with spiral threading,delicately feathered brown lashes and brows,accented eye corners,shaded nostrils,closed mouth with shaded and outlined lips,blonde mohair wig over cork pate,gutta percha bebe body based upon the Huret deposed body design,dowel- articulation at the shoulders,elbows,hips and knee joints,bisque hands with separately defined fingers and knuckles. Condition: generally excellent,some typical restoration to body joints,bisque head and hands perfect. Marks: Huret 54 Boulv. Haussman Paris (kid torso band). Comments: Huret,circa late 1870s,this particular gutta-percha-bodied bebe presumes a very specific moment of history,positioned between the end of Huret's gutta percha-bodied poupee (about 1875/1880) and the beginning of Huret's wooden-bodied bebe (about 1880). It may rightly be considered the very first of the Huret bebes,and it is not likely to have been made for more than one or two years in extremely limited numbers; only one or two other examples are known to exist. Its specific size is notable: although the doll is the exact height (18",45 cm) of the earlier Huret poupee,its proportions are that of a child (9 1/2" head circumference,10" waist,12" hips,and legs are torso scaled to match at 7 1/2" each exactly like a child's body would be). Even the superb bisque hands were sculpted with the plump roundedness of a child's hand. Value Points: the rarity of the doll,its uniquely sculpted face,hands and body,is enhanced by its great beauty and quality of bisque and painting. The doll wears her original purple velvet and silk twill costume,muslin undergarments with lace trim,stockings,bonnet and original boots stamped "Huret a Paris",and is preserved in an early box that is likely Huret original. Provenance: the bebe was first offered by Theriault's from its original French family estate in 1996 when it was acquired by noted collector Elaine Shallenberger,and was later sold at the Shallenberger estate auction in 1999. It has been in its present owner's collection since that time. The actual doll is photographed in The Encyclopedia of French Dolls by Theimer and The Huret Book by Theimer.

 
The Complete Set of Six American

The Complete Set of Six American

Lot #82

21" (53 cm.) Each of six all-hard-plastic dolls has socket head,sleep eyes,closed mouth,and five-piece body,with variations (as described for each below) of facial model,hair color and coiffure,painting of facial features including lips and eye shading,and costume and hair ornamentation. Condition: near mint/mint condition. Background: at the end of the WWI era,Madame Alexander looked to invigorate the doll world with new designs - in materials,in models,and in fashion. To accomplish this,she enlisted the aid of designers and moguls in the New York fashion industry who astutely determined that the flip of that coin would benefit them as well. This path,in fact,was not new. It was exactly the path that the French fashion industry had undertaken earlier in the 20th century when French artists such as Marque and Prevost-Huret had joined forces with Parisian couturiers to create artistic dolls in extraordinary costumes,to the benefit of both. The illustrious dolls that issued from the Alexander studios in the late 1940s and early 1950s have been described as "paeans to past perfection" (Madame Alexander Dolls,An American Legend). "The Godey Ladies","The Fashions of a Century",and,most notably the six extraordinary ladies known only as "The Mystery Dolls" were created during that time. All are highly desirable if found today,but do not compare with "The Mystery Doll Series" of 1951. The series never appeared in the Alexander catalogs,and it is likely that they were only made in the same limited numbers as the prized bisque French Marque doll of 1915. The reason is understandable. Each face is hand-painted to the highest of artistic standards and each is ornamented with luxury details such as a rhinestone beauty mark or hand-cut lashes with geometric detail. The coiffures are meticulous,of distinctive hand-dyed colors,with highly-stylized arrangements ornamented with jewels,lace or flowers. It is not known if the fabrics used in the construction were antique,but they are,surely,from the finest fabric houses of the world comprising hand-woven lace,softest silk satins,and the daintiest of fabric flowers. So spectacular were the dolls that in 1951 Beatrice Alexander received the celebrated Fashion Academy Gold Medal for her designs. In a photograph in the Jewish Women's Archive of New York,she is shown accepting the award from Emil Hartman,director of the New York Fashion Academy while an example of one of the "Mystery Dolls" is posed between them. What was most notable about this was that the Award had been meant to honor designers of "real people" costumes,and here it was,being awarded to a doll designer! A letter accompanying her 1952 Fashion Academy Award read,"Accenting fine fabrics and meticulous workmanship with the newest in fashion trends,you have imbued dolls' clothes with all the loveliness and smartness that might well characterize a leading couturier's collection". Each of the dolls in this set owns its original gold wrist award. "The Mystery Series" of six portrait dolls are known by collectors as Champs-Elysee,Victorian Bride,Lady with Rhinestone Beauty Mark (or Judy),Deborah Ballerina,Pink Champagne (or Arlene Dahl) and Kathryn Grayson. Presumably,these were not names used by the Alexander doll firm in 1951,but they are somewhat useful in identifying the dolls to collectors today. As rare as the individual dolls might be and that is exceptionally rare - this set is unique: it is the only complete set of six known to exist intact from one original owner. When the dolls first surfaced in 2003,the original owner noted that her grandfather had been in the New York fashion industry and had bought the dolls for her as a special gift. They had been in her possession since 1951 and she wished to have them remain together. The set was acquired by Judene Hansen and has been featured in her West Palm Beach,Florida doll museumsince that time.

 
Important Original Artwork,Ephemera and Dolls Related to Flora McFlimsey by Mariana

Important Original Artwork,Ephemera and Dolls Related to Flora McFlimsey by Mariana

Lot #123

Comprising two hand-made cloth dolls,one 18" with firmly-stuffed head,mohair wig,and loosely-loop-jointed limbs,wearing her original velveteen dress and fancy matching bonnet,undergarments,shoes and socks,and one 10" with yarn hair,both with oil-painted complexions and highly-stylized facial features to personify Flora as shown in the Mariana books. Along with 12 original watercolor paintings by Mariana,including characters,pets and scenes from the story books as well as an intriguing set of watercolor samplers; each is signed by the artist. And with nine Flora McFlimsey books written between 1949-1965: Christmas Eve,Baby New Year,Easter Bonnet,Birthday,Little Laughing Water,Little Red Schoolhouse,Valentine,May Day,and Halloween,and three additional Mariana books: Journey of Bangwell Putt,Doki,and Hotspur. And with a folio of paper ephemera including letters from Mariana to the present owner,reprint of a Life magazine article from September 1952,and more. Also included is a red wooden doll chair upon which the Flora doll sat in Mariana's home,and a petite 9" French bisque poupee that also belonged to Mariana. The books are in fair to good well-read and loved condition,the larger doll is excellent with small nose rub,the smaller doll has extensive craquelure,the bisque doll has a serious crack on the forehead,the art work is in very fine condition. About Mariana,the Artist-Writer: Marian Foster Curtis was born in a small town at the end of the 19th century. At an early age obliged to choose between piano or drawing lessons she "chose what seemed the lesser of two evils",drawing. Her love of art developed and continued into studies at the Art Students League in New York and into free-lance work for the New York Herald Tribune. "When the Great Depression hit I got a job on the American Index Project of the W.P.A'.". We made factual drawings of Early Americana' at the museums and here I discovered the fine craftsmanship and beauty of pre- mass-production days. It was the old toys which charmed me most...especially the old dolls in their faded elegance". During that work project,Mariana discovered an old cloth doll at the New York Historical Society named for the heroine of the 19th-century poem "Miss Flora McFlimsey of Madison Square" about a young lady who had silk and velvet gowns galore,but "nothing to wear,nothing to wear". Inspired by that doll,Mariana went on to write and illustrate nine children's books about the adventures of her own Miss Flora McFlimsey who she described in a 1952 article in Life Magazine as "a cross between Queen Victoria and Mae West". Her simple line drawings feature a doll with large O-shaped pupil-less eyes and a prim little mouth. Those same features are present in the two cloth dolls that she made,inspired by her drawings. Mariana died in 1978 in East Hampton,Long Island at the age of 86. In the garden of her East Hampton home still stood the large one-room playhouse of her youth. It was said that during her writing years the playhouse served as her muse,and during the summer months she moved into the child scaled playhouse along with a full-size cot,a chair,and all her drawings,writings,and dolls.,and all her drawings,writings,and dolls. Lee & Shepard Co. and for a number of years were printed,re-printed,and finally grew out-of-print. About the collection: As a young girl,Linda Mumew Ruskoski,didn't much like to read. So when the Bookmobile came to her second-grade classroom she searched for books with nice illustrations,and spotted the book Miss Flora McFlimsey's Christmas Eve'. She relates,"After dinner,I sat in the living room and began to read this special story about a doll that had been relegated to the attic and forgotten. Then,thanks to Santa,she began life anew...I loved pouring over all of the accessories on the pages. It has always been one of my favorite illustrations. I can't tell you how many times that little book was read and reread." And Linda began a life-long love of reading. At that time,her father worked in offices at the Plaza Hotel,near FAO Schwarz where the children's books were sold and each time a new Miss Flora McFlimsey book was published it was added to her book shelf. Years later,Linda relates "I decided to write Mariana a letter,sharing with her that I did not like to read until I discovered her books. Well,Mariana wrote me back! We became friends! ....Spending time with her was incredibly special to me. She was so modest and humble,like Flora". During the coming year,Linda determined that the books must be reprinted,and began a dedicated drive to that end. The anecdotal details of that project are outlined in hand-written correspondence from Mariana. Only one year later,in 1978 Mariana died. Shortly before her death,a large box arrived at Linda's home. "Carefully,I opened the package and inside was the doll,Miss Flora McFlimsey,a smaller Flora and a French fashion doll name Mamselle'....Mariana had made the two Flora's herself to use as models for her illustrations". In addition,Mariana had given to the young teacher a number of her hand-colored artworks. As for the books in this collection,they are all the childhood property of Linda Mumew Ruskoski,cherished these many years,except for the book "Hotspur" which has a hand-drawn image on the inside front page and the message "A Merry Christmas from Hotspur,To Linda,Mariana". The dolls,artwork,and books have been in the private possession of Linda Ruskoski until this time,and are exceptional documentary and poignant ephemera of one woman's work.