WHEN THE CIRCUS CAME TO TOWN

Sunday, November 11, 2007Lots 1-288

November 11, 2007 in Morristown, NJ


A fabulous collection of antique dolls, toys, automata and even glass canes is presented. Historical background of each piece is given, as well as the actual personal history of many of the objects including the famous "Consuelo's Bridesmaid" and Jumbo the Elephant, a gift of P.T. Barnum to his friend Wesley Redhead. The rare Levitation Man automata, of which only two are known in the world, is also shown with detailed multi-photographs. 9" x 12". Hardbound. 148 full-color pages.

Live Auction

Showing 1 - 288 of 288

Swiss Automaton "Pierrot Ecrivain" by Michel Bertrand,After Vichy

Swiss Automaton "Pierrot Ecrivain" by Michel Bertrand,After Vichy

Lot #224

26"(66 cm.) h. Arranged upon a wooden plinth is a vignette of Pierrot seated at a writing desk,a lamp at his side. Pierrot has a classic white-complexioned paper mache head,glass eyes with leather eyelids,and wears his traditional white and black costume. A spring-driven clockwork motor with two-air musical movement is concealed within his torso. Condition: generally excellent,mechanism and music function well. Marks: (trademark two-ridge acorn- shaped stop/start control). Comments: Michel Bertrand,Switzerland,circa 1975,his automata Pierrot Ecrivain"(Pierrot writing) was inspired by the similar earlier 19th century work of Vichy in which firm (under its successor Maison J.A.F.) Bertrand had worked as a young man,and which firm he eventually took over. Bertrand (d. 2001) prepared much of the superb automata collection of Madame de Galea of Paris for exhibition in the National Museum in Monaco and remains a revered name among automata connoisseurs today. Value Points: superbly preserved automata with compelling animations: first,the lamp is lit,and then Pierrot leans forward,presumably writing a letter to his love; he grows sleepy,and nods off as the lamp flame dims. He subsequently awakens with a start,adjusts the flame,and returns to complete his letter. Animations include the turning of his head,nodding,blinking his eyelids,turning of right arm and right wrist independently,the left arm,and the automatic wick to complete the performance. The complicated automata was made on special commission only; an original model by Vichy is on exhibit at the Guinness Collection of the Morris Museum in Morristown,New Jersey.

 
Bisque Automaton "The Clown Conjuror" by Leopold Lambert with Bisque Character Head

Bisque Automaton "The Clown Conjuror" by Leopold Lambert with Bisque Character Head

Lot #220

24"(61 cm.) overall. 20"clown. A bisque-headed clown with unusual character expression enhanced by untinted white complexion with painted clown decorations of lady bugs and blue ants,small blue glass eyes,closed mouth with smiling expression,original wig,has carton torso and legs,wire upper arms and bisque forearms. He is posed in an elegant manner behind a wooden table with green felt cover,and is wearing his original magenta silk jacket with gold silk lapels,shirt,fitted pants,leggings and tall top hat. He holds a baton in his right hand and a silver cup in his left. When wound,the clown performs a series of movements: moving head from side to side as though seeking an audience,then nodding to begin the performance. He taps the cone three times with the baton,and lifts the cone to reveal a treasure beneath. The action is repeated and each time a different treasure is revealed: three red balls,a sunflower with red "jewel"center,a silver star with "diamond"decorations (one missing),and a gilded butterfly. Meanwhile,two tunes are played (Le Lac Champlain and Ma Petite Fauvette). Condition: generally excellent,mechanism and music function well. Marks: L.B. (key) N (script letter on head). (original paper tune label). Comments: Leopold Lambert,from his conjuror series,the models more commonly found with paper mache head,circa 1890,this bisque head likely commissioned from Emile Jumeau. Value Points: extremely rare model with most amusing actions enhanced by rare character expression on uniquely commissioned bisque head,luxury quality of "surprises"and original costume.

 
Very Rare American "Violano-Virtuoso"by Mills Novelty in Superb Condition

Very Rare American "Violano-Virtuoso"by Mills Novelty in Superb Condition

Lot #116

5'4"h. x 3'8"w. x 2'7"d. In a handsome mahogany case retaining its original finish,are beveled-glass doors that open to reveal a horizontal violin and the upper part of the piano. The model was designed to go into action at the drop of a nickel coin. The bottom half of the cabinet contains the original AC/DC converter motor,the spool-box for playing the music rolls,and the coin collection box. Included are six original paper rolls with an average of five tunes apiece. There is an added hidden digital player system (that can be removed if desired without any sacrifice to the originality of the instrument) and that includes a library of more than 30 additional tunes. Condition: generally excellent,the cabinet is beautifully preserved and the mechanical works function perfectly creating a wonderful strong musical sound. Comments: Mills Novelty Co,of Chicago,serial #897,circa 1920,with original label of the maker visible inside "By P.C. Poulsen,Violin Maker of Mills Novelty Co,Chicago". The loftiest idea in the mechanical music field was to develop a self-playing violin. Henry K. Sandell developed a unique system for the Mills firm during the first decade of the 20th century. In 1909 his prototype was chosen by the Patent Office as one of the greatest U.S. inventions and chosen to be exhibited at the Alaska Yukon Pacific Exposition. In 1912 the design was finally patented. It was specifically designed for "arcades,parks and pleasure resorts",and Mills boasted that its nickel playing price would soon cover the initial investment,so popular would be the Violano-Virtuoso". About 4500 were produced between 1912 and 1930; less than 900 are known to exist and very few are in this fine condition. One other example is at the Murtogh D. Guinness Collection at the Morris Museum.

 
The Rare French Automaton "Buffalo Bill"by Gustav Vichy with Smoking Mechanism

The Rare French Automaton "Buffalo Bill"by Gustav Vichy with Smoking Mechanism

Lot #84

28"(71 cm.) Standing upon a flat velvet-covered platform is a tall and slender gentleman posed in a cocksure manner. He has a paper mache head with highly personalized features,hand- blown brown paperweight glass eyes,two rows of carved ivory teeth,leather eyelids,hinged jaw,hair,moustache and beard of brunette human hair,carton torso and legs,and has a hidden "smoking"system that moves through internal rubber tubing and is activated by a keywind pneumatic bellows in the torso. He is wearing his original tan suede jacket with beaded decorations,matching fitted trousers,black leather tall boots with straps and buckles,black leather fitted gloves that flare widely at the wrists,silk shirt and tie,wide leather belt,pressed wool felt Western hat and carries a wooden rifle with leather strap. He holds a cigarette holder between his thumb and one finger in a dandified manner. Condition: excellent,mechanism functions well,original finish is superbly restored. Marks: (Vichy signature winding key and lever). Animations: Buffalo Bill opens and closes his eyelids as though anticipating the smoke he is about to take,turns his head from side to side,leans head down,and lifts the cigarette holder to his mouth. He inhales. Then he lowers his arm,tilts his head back in satisfaction,and exhales in a very realistic manner. Comments: Gustav Vichy,circa 1890,who actually listed the piece as "Buffalo Bill"in his company catalog. Vichy was undoubtedly inspired by the the popular Wild West Show then touring Europe,and starring Bill himself. The model was deposed by Vichy,and it is the only automaton he made that bore an actual person's name,a testimony to the vigorous personality of the Wild Westerner and to Parisian's fascination with his life and times. Another model of Buffalo Bill is at the National Museum at Monaco,Monte Carlo. Value Points: very rare automaton that bears a close resemblance to existing photographs of the American hero,in superb state of preservation with wonderful smoking action.

 
Rare and Amusing French Automaton "The Illusionist Clown - Losing His Head"by Phalibois

Rare and Amusing French Automaton "The Illusionist Clown - Losing His Head"by Phalibois

Lot #72

20"(51 cm.) Having a paper-mache head with characterized and oil-painted complexion and clown features,tiny blue glass eyes,comical tufts of hair and wearing a fine silk costume with decorative gilt paper stars and shapes,the Clown stands on a stage,presumably in front of the assembled crowd,a table at his side on which is arranged an over-sized die-cube that hides another matching clown head. Within the velvet covered base is concealed a clockwork motor with three carved wooden animation cams and a one-tune musical movement. Condition: excellent and well-preserved,well-functioning movements. Movements: the Clown nods to the audience,then slowly raises his flared paper fan to cover his face. When he lowers the fan,voila! His head has literally disappeared. Almost immediately,the lid raises on the die-cube and his head (presumably the same,but actually the duplicate) emerges. Then that head lowers back into the die-cube and the lid closes. He lifts his fan again,pauses,then lowers it,and his head has re-appeared,back on his neck. The illusion is so excellent that it appears to be much more than three animations. Comments: Phalibois,circa 1890,perhaps inspired by the performances of Georges Melies,the filmmaker and illusionist who owned the Theatre Robert- Houdin. Larger examples of this piece appear in the National Museum in Monaco and in the Murtogh D. Guinness Collection at the Morris Museum. Value Points: the endlessly delightful antics of the very rare illusionist clown are enhanced by the clever exact duplication of heads with wonderful facial expression.

 
Extremely Rare French Automaton "Charmeuse de Serpent"by Roullet & Decamps

Extremely Rare French Automaton "Charmeuse de Serpent"by Roullet & Decamps

Lot #67

39"(99 cm.) overall. 27"h. lady. Posed upon an architecturally detailed wooden base with tapestry carpet is a paper mache head woman with exotic features and oil-painted over gesso complexion in rich amber-brown complexion,brown glass eyes,closed mouth,and waist-length black human hair hand-tied wig. Her body is entirely sculpted in female shape posed with slightly bent right knee,and a separate "plate"above the bosom allowing for the illusion of breathing. There is swivel jointing at the upper right arm,and lower left arm hidden by gilded bracelets,and she wears a superb costume of metallic gilt threads interwoven with green faux-emeralds. In her right hand she holds a trumpet,and in her left hand is a snake that is wrapped sensuously around her arm. There are six animations performed while four tunes play. She weaves her head to and fro in a mesmerizing circular motion while her upper arm pivots,thus bringing the trumpet to her mouth and lending the illusion that she is calling to the snake. Her left arm pivots which appears to bring the snake to life,and the snake lifts his head,then lowers it as if charmed. Throughout her chest lifts up and down as though she is breathing in passion or fear. Several persons have been suggested as the inspiration for the extraordinary piece including Colette the French novelist who,in 1905,performed as Salome in Paris theatres costumed in a bare- breasted style that is suggestive of this automata. And there was Nala Damajanti,the Hindu Snake Charmer who performed at the Folies Bergere. Whomever the inspiration,the Charmeuse de Serpente (Snake Charmer) was the pride and joy of the Decamps family. It was originally designed to be exhibited nude until squelched by Madame Decamps on moral grounds. Fewer than 15 of Charmeuse de Serpente are known to exist,and so rare is the piece that it was never offered in any catalog of the Roullet et Decamps firm.

 
French Mechanical Toy "Little Girl Catching Butterflies"by Gustav Vichys

French Mechanical Toy "Little Girl Catching Butterflies"by Gustav Vichys

Lot #36

21"(53 cm.) Bisque swivel head on kid-edged bisque shoulder plate with highly defined modeled bosom,brown glass paperweight inset eyes,thick black eyeliner,feathered lashes,brush-stroked brows with feathered details,rose blushed eye shadow,accented nostrils and eye corners,closed mouth with accent line between the lips and slightly upturned smiling lip corners,impressed philtrum and dimples at lip corners and chin,pierced ears,auburn mohair wig in arranged upswept curls over cork pate,on original Bru kid bebe body of the Chevrot era with hinged hips and carved wooden lower legs,bisque arms from elbows with superbly sculpted fingers and hands. Condition: generally excellent. Marks: Depose L (forehead) L (head) Bru Jne No. 10 (shoulders) Bebe Bru...(paper label on torso). Comments: the firm of Leon Casimir Bru,the bebe with smiling poupee face was especially commissioned and costumed to commemorate the 1895 society wedding of the railroad heiress Consuelo Vanderbilt to the Duke of Marlborough (Spencer-Churchill family,the owners of Blenheim Palace in Oxfordshire and first cousin of Winston Churchill.) Later the doll was gifted to Consuelo's friend,Eveline Miles who had lived at Woodstock House on the Blenheim Estate since 1880. The doll has remained in the possession of the Miles family until this time. A complete provenance is available to the new owner. Value Points: superb doll with outstanding bisque and painting,pristine condition,and wearing her perfectly preserved original ivory silk faille gown from the Duchess of Marlborough wedding party,bearing the couturier label of Maison Maggy Rouff of Boulevard Haussmann in Paris who may have been the designer of Consuelo's gown,and including multi-layered undergarments,silk stockings,and ivory kidskin shoes signed "Bru Jne Paris 10".

 
Superb French Automaton "Japanese Lady Mask Seller"by Gustav Vichy

Superb French Automaton "Japanese Lady Mask Seller"by Gustav Vichy

Lot #31

43"(109 cm.) with parasol. 33"height of lady. An elegant lady with paper mache head depicting a Japanese lady with oil painted amber tinted complexion and facial features,brown glass eyes,ornate coiffure,is standing with parasol at her back,framing her face,and offering examples of paper mache decorative masks that she holds on her tray of wares. She is wearing an elaborately embroidered and hand-painted sash and kimono with rich designs including a large and elegant crane,various layered garments,silk slippers and carries a large wooden- handled paper parasol while balancing a lacquered tray upon which are displayed three paper mache festival masks. There are six animations and one musical tune. Condition: generally excellent,mechanism and music function well. Marks: (trademark Vichy lever and key). Comments: Gustav Vichy,Paris,circa 1890,named "Marchande de Masques",model 448,by Vichy,the exact piece was described in an 1892 article about Vichy in La Nature,French journal: A large number of [Vichy] automata represent genre figures,sometimes inspired by a painting,or by some current event. For instance,there is a Japanese woman with an expressive face (but perhaps too Western looking) dressed in richly embroidered clothes and holding a tray in front of her,full of masks. She is holding a huge parasol in one hand and a mask in the other,She pivots her head,raises and lowers her eyelids,while twirling the parasol between the fingers,occasionally also covering her face with the mask held in the other hand."Value Points: very rare model to find,this example is superbly preserved original and well-functioning condition.

 
Very Rare French Bisque Automaton "Whistler"by Phalibois with Jumeau Character Series Face

Very Rare French Bisque Automaton "Whistler"by Phalibois with Jumeau Character Series Face

Lot #26

27"with base. Standing upon a velvet covered round wooden base is a jauntily posed young man,having bisque head with highly characterized features including pursed lips with opening hole,as though about to whistle. The boy has blue glass paperweight inset eyes,painted lashes and brows,shaded nostrils of upturned nose,fine definition of features especially about the mouth and cheeks,separately sculpted applied ears,blonde mohair curly wig over cork pate,carton torso and legs,composition forearms,velvet costume with lace collar,black stockings and shoes,black beret. The mechanism hidden inside the round base is a typical Bontems design spring motor with 2 brass cams. When wound he moves his head in a jaunty circling motion as though whistling while whistling sounds should be heard. Condition: bisque head and figure excellent,mechanism intact except for bellows needing restorative work for proper whistling music. Marks: 205 Depose Tete Jumeau 9 (and artist checkmarks,on head). Comments: the Whistler was a signature creation of the Phalibois firm,appearing as their advertising model for several years at the beginning of the 20th century; however that model was of paper mache and of a larger exhibition size. This earlier model bears an original bisque head with whistling features sculpted specifically for Phalibois' creation in the porcelain studio of dollmaker Emile Jumeau,circa 1892 when the Jumeau character series heads were known to be created. Value Points: rarity factors include both the sculpted head model by Jumeau as well as the Phalibois whistling mechanism.

 
Extremely Rare French Illusionist Automaton

Extremely Rare French Illusionist Automaton

Lot #17

39" (99 cm.) h. x 32"w. x 19"d. Theatre background 88"h. x 60"w. x 25" d. The man is 29"h. Posed upon a wooden stage is the scene of a magic show depicting the illusion of a magician levitating a lady. A stately,goateed gentleman-magician,wearing rich evening dress in the manner of the famous illusionist Robert-Houdin,stands behind a red-velvet bench,holding a magic wand in his left hand and a hoop in his right hand. Reclining on the bench is a lady,presumably selected randomly from the "audience",dressed in a light green satin-crepe gown,nervously anticipating the performance as she blinks her eyes and fans herself. The two figures have paper mache heads with oil-painted features,kidskin eyelids,glass eyes,the man with hinged jaw. The complexly-designed spring-driven mechanism comprises a main cluster of six wooden cams which pass up through the legs of the Levitator. There are also three auxiliary wooden cams that direct the movement of the lady's eyelids,fanning and the levitation itself. Music is provided by a "fat" cylinder Sublime Harmonie movement. Movements: There are eleven movements. At first the magician leans forward while waving his wand,fixing his gaze so as to hypnotize the lady. She slowly stops fanning herself and closes her eyes,falling into a sleeplike state,yet receptive to his suggestions. In her trance she rises,her body horizontally suspended in mid-air. The magician then passes the hoop fully across her body several times to and fro,as though to prove to his speculative audience that there are no "tricks". His left arm is so articulated that it can do complete circles in both ways. Finally the lady's body levitates downwards,back onto the bench,and she opens her eyes,now broken from the trance,and she fans herself once again. The Levitator raises his head to the audience and moves his lips and blinks his eyelids as accepting accolades for his remarkable feat.

 
Six-Tune Swiss Musical Mechanical Carousel by Auguste Lassueur

Six-Tune Swiss Musical Mechanical Carousel by Auguste Lassueur

Lot #2

24" x 23" (61 x 58 cm.) A beautifully crafted six-sided wooden and glass cabinet encloses a carousel with cast lead galloping horses and riders interspersed by painted tin gondolas. The carousel has a canvas canopy and gilt-thread-edged silk curtains; the underside of the canopy is decorated lavishly with lace,pearls and colored glass baubles. Hidden in the base is a large cartel-style Swiss cylinder musical movement playing six melodies whose names are listed on the original tune program label and which include the national anthems of Russia and France: Choeur des Girondins, Estudiantina Valse, La Czarine Mazurka, Hymne National Russel, Bleu Danube Valse, and La Marseillaise. The entire presentation is housed in a fine cabinet of precious woods decorated with painted scenes,inlay and ebonized carved columns. Condition: mechanism and music function very well,rich musical sound,the coin activating lever is missing but the original winding handle is present and operates the piece nicely. Marks: Auguste Lasseure (original paper label on interior). Comments: Lasseure, circa 1890. When railway travel became popular in the late 19th century,Lasseure,a Swiss craftsman,hit upon the notion of creating musical vignettes to entertain passengers awaiting their train ride. He commissioned the musical movements from Alfred Junod-Turin and other music box makers in Ste-Croix,the heart of the musical box industry,fitted them inside the beautifully-appointed cabinets along with a coin device and contracted with the Jura-Simplon Railway Co of Switzerland for placement in their waiting rooms. A Lassueur brass plaque at the Baud Museum in Switzerland indicates that the firm specialized in "carrousels a musique" and "creations for public amusement". When activated,the carousel merrily revolves,and the horses and riders move up and down,while six tunes play in sequence. Value Points: very rare mechanical musical depiction of 19th century life in excellent original state,with delightful tunes designed to appeal to internationally traveling passengers.