STARS - 2 VOLUME SET

Friday, January 11, 2013Lots 1-818

January 11-13, 2013 in Newport Beach, CA


A two-volume catalog with nearly 1000 pieces. Best of all, the diversity it will offer is like no other January before in that it features the collections of four major figures who have been beloved in their circle of the doll world: Mary Young of Atlanta, Margaret George of Atlanta, Mary Marxen of Cincinnati, and Mildred Adkins of Louisville. Each brought their own personality and love of dolls into the world of collecting for decades and as a result will showcase a complete history of dolls in virtually every genre imaginable. 10" x 10". Hardbound. 312 full-color pages.

Live Auction

Showing 1 - 480 of 818

Reform Character,Model 104,by Kammer and Reinhardt in Impeccable Original Condition

Reform Character,Model 104,by Kammer and Reinhardt in Impeccable Original Condition

Lot #149

20" (51 cm.) Bisque socket head with very deeply-sculpted facial features depicting a gently- smiling child,with defined eye sockets,painted blue eyes with darker blue iris rims,heavily- modeled eyelids with thick black upper eyeliner,one stroke brows,accented nostrils,closed mouth with well-defined and outlined lips,blonde mohair wig,composition and wooden ball- jointed body. Condition: generally excellent. Marks: K*R 104. Comments: Kammer and Reinhardt,from their art-reform character series,1910. Value Points: considered one of the rarest antique dolls (only two or three others are known to exist),this particular example is impeccable in its state of preservation,and exceptionally fine in its modeling,and quality of bisque and painting,with original wig,body,wonderful body finish,and superb costume. It is a most felicitous circumstance to find this art doll at all,and to find it in such impeccable original condition is unparalleled. About the K*R art-reform character series. Long considered keynote in the history of dolls,both for their rarity and their artistry,it was not until 1987,nearly 80 years after their creation,that the origin and complete story of these dolls became known,thanks to the tireless research of German scholars,Marianne and Jurgen Cieslik. The first clue appeared in memoirs of Franz Reinhardt who said that in their quest to create this new type of realistic doll "we contacted a Berlin artist who had been recommended to us". But no mention was made of the artists name. Then,years later,another clue surfaced,It was an obscure reference in a German newspaper article of 1928 which dealt with the Walterhausen doll industry,and said "the first dolls of this type were created based on the head of a baby modeled from nature by Professor Lewin-Funcke". Based on this long-hidden clue,the Ciesliks tracked down the family of Lewin-Funcke and uncovered still more important information regarding which models he sculpted and who served as the model. They learned that the model for the 104 was Karin Lewin-Funcke,the daughter of the sculptor. An old handwritten note from K*R notes: 103: Girl "serious"/58 cm; 104: Girl "laughing"/no height given; 105: Girl "friendly". 50 and 58 cm. As for the dolls themselves,they were,for the most part,a commercial failure. Marianne Cieslik,currently at work on a new edition of German Doll Encyclopedia,noted in an email "None of the three models of Karin [103,104,105] was a success at that time and only some were used in the big shops in Berlin for decoration. In articles in toy magazines you can read that hundreds of the heads were smashed because of overstock. When you compare the many different heights of the big sellers _ 100,101,109,112,and 114 _ [one realizes that] all other K*R characters were an experiment only". About this doll. It is being sold from the original Bustios family estate. Early in the 20th century,the noble Spanish family of Bustios emigrated from their family home to the mountain town of Puno in Peru,bringing with them family treasures,furnishings,and everyday objects of daily life including several trunks of dolls and toys for the children of the family; the trunks were never opened,the dolls and toys remaining packed away,unplayed with and perfect preserved. Among the many wonderful dolls was one particular treasure,this model 104 which was stored entirely as found today,with original wig,body and exceptional original trachten- ware costume of fine wools with rich embroidery.

 
Extremely Rare French Bisque Character,203,by Jumeau from His "Series Fantastique"

Extremely Rare French Bisque Character,203,by Jumeau from His "Series Fantastique"

Lot #155

22" (56 cm.) Bisque socket head with highly characterized features depicting a child with delightful broad smile,very deep blue glass paperweight inset eyes,sculpted laughter lines around the eyes,painted long curly lashes,dark eyeliner,brush-stroked and feathered widely- arched brows,nicely shaped nose with shaded nostrils,closed mouth in broad infectious smile with accented lips separated by a row of sculpted teeth,impressed laughter creases at sides and above the mouth,impressed philtrum dimple,separately sculpted pierced ears,blonde mohair wig over cork pate,French composition and wooden eight loose-ball-jointed body with straight wrists. Condition: generally excellent. Marks: 203 Depose Tete Jumeau Bte SGDG 10 (head) Jumeau Medaille dOr Paris (body). Comments: Emile Jumeau,from his "series fantastique" created in the early 1890s as part of a very exclusive luxury line,produced only on special commission or for exhibition purposes; the cost of the 200 series characters was nine times that of a classic bebe. Value Points: an exceptional example of a joyful child with delighted laughing expression,having finest sculpting and lustrous bisque with dewy patina,signed Jumeau body,and superb rich golden silk antique costume with rich embroidered lace trims,undergarments,ruffled and lace bonnet,and original Jumeau stockings,and leather shoes impressed ""Paris Depose 10" with bee symbol for Jumeau.

 
The Very Rare French Musical Automaton "Pierrot Ecrivain" by Gustav Vichy

The Very Rare French Musical Automaton "Pierrot Ecrivain" by Gustav Vichy

Lot #158

24" (61 cm.) 27" (69 cm.) Arranged upon a parquet inlay wooden floor is a wooden writing desk and elegant salon chair with ebony finish in the Boulle style,. Seated at the chair is the popular culture figure of Pierrot,a quill pen in his hand,and a brass oil lamp and parchment letter on his table. Pierrot has a paper mache head with classic whitened complexion,brunette fleecy curls under original black velvet cap,glass eyes,articulated kidskin eyelids,carton body,and composition hands sculpted to appear as though holding a pen; he is wearing ivory silk Pierrot costume (probably original) with red-pom-poms and classic pleated Pierrot collar,and black slippers with red pom-poms. The movements are very dramatic,intricate,and yet realistically achieved. When wound,music plays (two tunes). Pierrot holds a quill pen which he moves across the parchments as if scribbling,at first hurriedly,and then slowly,as though contemplating his wording,and then rapidly again. Then he pauses and drifts off to sleep,his eyelids closing while simultaneously the lamplight dims down. After a pause,Pierrot wakes up and,seeing that the lamp is no longer burning,stretches out his left hand (which has been poised near his head as if reflecting upon the his writing) to turn up the wick. The light burns brightly once again. He turns his head,blinks and begins to write again. The condition is excellent,and all original,directly from a Paris estate,with wonderfully-functioning mechanism and music. Made by Gustav Vichy,Paris,circa 1890,the automaton appeared in the Vichy catalog as #518 entitled "Pierrot Ecrivain",with G.V. depose. The realism of the animation was created by a very complicated set of cams in the mechanism which was concealed in his torso with linkages passing into the table and controlling the movement of the wick. A luxury piece in its own time,it is nigh impossible to locate an example today,especially in this wonderfully- preserved and working state.