LADY DOLLS OF THE 19TH CENTURY

Friday, January 3, 2003Lots 1-193

January 3, 2003 in Newport Beach, CA


Throughout history, lady dolls have been both fashion mannequins and children's playthings. In the 19th century privileged children owned lady dolls of paper mache, china and bisque with extraordinary wardrobes and accessories. The objects of childhood dreams, the dolls also served as lessons in proper dressing and demeanor. Hundreds of German and French dolls and their fashions are featured. 7.5" x 10.5". Hardbound. 144 full-color pages.

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Showing 1 - 193 of 193

French Porcelain Poupee by Adelaide Huret with Huret Table and Chair, and Trunk and Trousseau

French Porcelain Poupee by Adelaide Huret with Huret Table and Chair, and Trunk and Trousseau

Lot #39.1

17" (43 cm) doll. Having delicately pink tinted porcelain shoulderhead with rounded facial modeling, painted pale blue eyes with brown upper eyeliner, painted lashes, feathered brows, accented nostrils, closed mouth with accented lips, blushed cheeks and chin, unpierced ears, and lambswool wig over skin cap and cork pate. The doll has its original gutta percha body based upon the patented designs of Huret with dowel jointing at shoulders, elbows, hips and knees, and is wearing early costume of blue silk skirt with black velvet top over blouse, undergarments, slippers and black cap. Included with the doll is the following: Gilded metal chair from Huret furniture works; Gilded metal table from Huret furniture works; Doll trunk with double layer lift out trays and ribboned interior lid, labeled M.P. with brass studs on lid; Three cotton calico day dresses or ensembles; Silk shantung two piece suit; Black taffeta skirt and cape with white blouse; White pique dress; Silk robe with frog buttons; Grey flannel cape with blue edging; Cream flannel jacket with black edging and hood; Paisley shawl, and paisley blanket in leather straps; Paisley hooded cape; Fur jacket with silk fringe, fur collars and muffs; White summer cape; Fifteen undergarments including chemisettes, pantalets, petticoats, chemises, night shifts, hoop, and corset; Black and white carriage robe in leather straps; Blue and black patterned slippers; Brown leather gloves; Green suede gloves; Games including loto, ninepins and dominoes; Four bonnets; Five household caps; Hooded cape; Two pairs of leather slippers; Yellow handled metal parasol with original covering (missing hand grip); Combs and brushes, shoe horn; Jewelry comprising locket, lorgnette, turquoise bead cross and earrings; Watch and fob; Two folding fans Three purses; Bone covered missal. The doll has its original Huret stamp on front torso. There is some repair to gutta percha body but overall quite sturdy; the table and chair have been re-upholstered in appropriate vintage fabrics. Circa 1860.

 
French Porcelain Poupee with Trunk and Trousseau

French Porcelain Poupee with Trunk and Trousseau

Lot #41

14" (35 cm.) Having pink tinted porcelain shoulderhead with rounded facial modeling, cobalt blue enamel glass eyes, dark eyeliner encircling the eye sockets, painted lashes, feathered arched brows, accented nostrils and eye corners, closed mouth with accent center line, blushed cheeks, wheat blonde lambswool wig over cork pate, and unpierced ears. The body is French kid with gusset jointing at hips and knees, stitch- jointing at shoulders, and porcelain arms to above the elbows. Along with the doll is her original wooden trunk with grey canvas cover and paper lining, removable trays, and hat display stand. Preserved in the trunk is an assortment of original costumes and accessories, as follows: Blue and white silk gown with fringed trim; Mauve and cream silk gown with faille collar; White pique two piece gown with pagoda sleeves and dainty pattern; White cotton gown with double collar; Peach and lavender silk striped day dress; Blue and cream knit shawl; Paisley carriage robe; Cream cashmere shawl; Black and cream striped woolen hooded cape with unusual brown/cream edging; Ten undergarments including pantalets, chemises, night shifts, petticoats, hoop, and corset; Red velvet bonnet; Lavender and cream silk parasol; Various accessories including fan, stationery, basket, coronet, night bonnet; Brown leather heeled boots in the manner found on signed Huret boots. The doll has an original paper label on her chest "Au Calife de Bagdad, Herbillon, 14 Rue de Choiseul" indicating its original presentation by the respected Parisian doll shop that offered finest dolls and their objects from 1852Ø1866. The doll has two early glaze lines that extend from forehead to left eye; the body is especially sturdy. Attributed to Blampoix for Herbillon, circa 1860.

 
Lady Doll by Alexandre Dehors with Signature

Lady Doll by Alexandre Dehors with Signature

Lot #80

18" (46 cm). The lady doll has perfectly oval- shaped pressed bisque swivel head on kid-edged bisque shoulder plate with delicately modeled bosom, deposed Dehors neck attachment allowing the head to tilt forward and lean coquettishly from side to side (rather than simply swivel), slightly elongated throat, high domed forehead, high cheekbones, almond shaped cobalt blue glass enamel inset eyes, dark eyeliner encircles the eye sockets, modeled eyelids, lightly feathered brows and lashes, aquiline nose, accented nostrils and eye corners, closed mouth with upturned lip corners and accented lips, shaped chin with centered dimple, defined philtrum, well defined unpierced ears. The modeling is exceptional with details of hand-pressing at temples and above the cheek bones. The doll has a kid fashion body with slightly padded bosom, tiny waist, accentuated derriere, gusset jointed hips and knees, kid upper arms, bisque arms from above the elbows with separately sculpted fingers, defined knuckles and nails, separate thumb. The wig is original mohair hand-stitched into rolls at back of head and held by snood, with arranged curls at forehead and neck. The costume is original, of taupe and bronze striped silk, trimmed with blue silk ribbons and lace, with demi-train, undergarments, leather shoes. The doll is marked _Dehors Brevete_ on back shoulderplate. Alexandre Dehors, circa 1866. The deposed Dehors head articulation allowed the doll _to nod its head, tilt it from side to side, or raise or lower it modestly or triumphantly_, according to a reviewer of dolls portrayed at the 1867 Exposition Universelle in Paris. Signed examples of the very rare doll are extremely rare. Those with portrait faces are virtually unknown to exist; the facial resemblance to the beloved Empress Eugenie is remarkable, indicating that the model may have been created specifically for that Exposition, which was the crowning showpiece of the Napoleon III epoch. The doll is preserved in impeccable, unplayed-with original condition, including body, wig and costume.

 
Lady Doll with Elaborate Trunk and Trousseau

Lady Doll with Elaborate Trunk and Trousseau

Lot #103

18" (46 cm). Of pressed bisque, the shoulderhead poupee has elongated facial shape with plump lower cheeks, almond-shaped cobalt blue glass enamel inset eyes, dark eyeliner, painted lashes, feathered brows, shaded nostrils, closed mouth with pale accented lips, accent line between the lips, nicely shaped unpierced ears, light brown mohair wig over cork pate, and kid fashion body with shapely waist and derriere, gusset jointing at elbows, hips and knees. The doll wears a delicate sheer muslin summer suit with embroidered flowers, and hand-made lace edging on the jacket, undergarments, shoes. Along with the doll is an unusual beautifully detailed trunk with Moorish style lithographed paper cover, wooden and leather trim, two interior lift-out trays and an extensive collection of costumes and accessories: Cream velvet jacket with blue soutache trim; Silk skirt with blue silk trim and matching belt; Blue silk cape with quilted lining; Blue and white striped cotton day dress; Black silk skirt with blouse and black velvet cape; White pique cape with fringed edging; Black velvet top with lacing holes; White chemise top with tucking and cutwork; Eight undergarments; Three chemisettes, two with matching sous- sleeves; Two pairs of stockings; Corset; Three hankies, an assortment of jewelry (some incomplete), two perfume bottles, three purses; Miniature doll; Bone-tipped brass handled silk parasol; Paisley blanket; Original factory muslin chemise. Included is an antique photograph of a woman in fashion gown from a French studio, Franck, at 18 Rue Vivienne in Paris, who may have owned the doll. The rare portrait-faced doll and her possessions are being sold from the private collection of Claude Detave of Paris. Circa 1865.

 
Statuette-Poupee by Radiguet & Cordonnier

Statuette-Poupee by Radiguet & Cordonnier

Lot #161

17" (43 cm). Superb pale bisque swivel head on kid-edged bisque shoulder plate with highly defined modeled bosom and defined shoulder hollows and blades, large gray glass enamel inset eyes with darker gray outer rims, dark upper eyeliner, painted lashes, arched feathered brows, accented nostrils, closed mouth with pale accented lips, pierced ears, very pale blonde mohair wig over cork pate. The body is unique to this doll, having low-cut kid torso that allows full expression of modeled bosom, very firm one- piece kid torso with cinched waist and scalloped- edge thighs, kid upper arms, bisque arms from above the elbow with modeled bent right arm, expressively posed fingers, bisque lower legs from above the knees with feet shaped as though wearing heels, modeled bisque heels. The doll is posed on her original velvet covered wooden stand with two metal rods that protrude into holes in the bottom of the bisque feet. The doll wears an exquisite ivory satin wedding gown with wax orange blossoms, veil, with coronet of flowers, undergarments, satin slippers on tops of feet, pearl necklace with cross. Marked _A R.C. Depose_ on back shoulder plate. Radiguet & Cordonnier, circa 1880. The lady doll, described as _statuette-poupee_ was deposed by Georges Cordonnier on January 16, 1880 and may be considered the final French depose concerning fashion lady dolls of the French golden age. The depose did not specify the facial characteristics of the doll, and consequently, several different facial models have appeared on the rare doll (including a gentleman for which the patent noted that a flat front chest would be necessary!). The depose or patent included specifications for the velvet covered stand, that is also included with this doll. Few examples of the doll are known to exist.

 
French Bisque Bebe with Lady Body by Emile Jumeau

French Bisque Bebe with Lady Body by Emile Jumeau

Lot #163

19" (48 cm). Having bisque socket head with fine creamy bisque, blue glass paperweight inset eyes, dark eyeliner, dramatic dark painted lashes, feathered brows, accented nostrils and eye corners, closed mouth with defined space between the shaded and outlined lips, impressed dimples, pierced ears, and original auburn mohair wig over cork pate. The doll has a composition and wooden fully-jointed body with adult lady shape, modeled bosom, tiny waist, accentuated derriere. She wears delicate hand-sewn lingerie, shoes and stockings. Marked "Depose Tete Jumeau Bte. S.G.D.G. 8" on her head, and "Jumeau Medaille d'Or Paris" on her torso. Emile Jumeau, circa 1895. The doll is preserved in impeccable original condition. The doll, named Flora McFlimsy by the organizers of a charity, was the focus of an 1898 benefit in Pittsburgh, Pennsylvania. Important couturiers and milliners were asked to participate by donating a costume or hat especially created for the doll. The doll, with all of its costumes was then raffled for charity. At one point the doll belonged to Mrs. E.J. Walker of 555 West 6th Street in Pittsburgh, according to pencil notes on the costume box, and later it was exhibited at the Winter Haven Museum of Dolls for many years. The doll owns eight superb costumes including ball gowns, riding costume, and city wear, each with its original hat, many of the hats bearing the original milliner label, along with many superbly made undergarments.