THE DOLL COLLECTION OF HUGUETTE CLARK

Saturday, January 11, 2020Lots 1-418

January 11, 2020 in Santa Barbara, California


The collection comprises extraordinary dolls and automata from the French golden age of 1860-1890, as well as selections of sought-after early Japanese cultural dolls and architectural miniatures. The Huguette Clark auction appropriately centers the inauguration of Theriault’s 50th anniversary year. An early and continuing client of Theriault’s for decades, her dolls include many fine antique examples from that 50 year span, as well as privately commissioned Japanese art dolls. Hardbound. 10" x 10". 232 pages.

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Showing 1 - 418 of 418

Splendid French Musical Automaton "Elegant Lady Reclining on Recamier" Lambert

Splendid French Musical Automaton "Elegant Lady Reclining on Recamier" Lambert

Lot #3

23" (58 cm.) l. x 19"h. seated upright. Bisque portrait-faced lady is posed in an imperial manner upon a velvet-covered wooden-framed recamier with ball and fringe edging and embroidered velvet pillow. She has brown glass paperweight eyes, closed mouth, finely-painted facial details, brunette mohair wig in upswept coiffure, shapely elongated carton torso and slender legs daintily crossed at the ankles, and is wearing a finely woven silk and lace gown with low neckline designed to emphasize her separately-modeled shapely bisque bosom; the gown is decorated with appliqued pearls which match her pearl necklace and velvet-flowered and pearl hair ornament, and she has golden velvet slippers and holds a gilt handled fan with exquisite hand-painted scene and a gilt lorgnette. Condition: generally excellent, music and movement function well. Marks: L.B. (key). Comments: Leopold Lambert, circa 1885, with bisque portrait head by Jumeau, the rare automaton is accentuated by three brass cams plus two steel stud-cams within the clockwork mechanism. When wound, music plays, and a series of realistic actions occur. Luxuriating on her recamier, the elegant lady, seeming to greet guests, turns and nods her head in a graceful circular movement, appearing to arise, while alternately fanning herself with her left hand, and gazing imperiously through the lorgnette held in her right hand. She pauses, and then reclines again, evidently having satisfied the social demands of her high station. Value Points: its larger size and intricate movements and artistic presentation of the model indicate its luxury creation, as does the rare portrait Jumeau head and exquisite original costume, recamier and accessories. Few other models are known to exist.

 
French Bisque Brown-Eyed Bebe E.J., Emile Jumeau in Exclusive Christian Dior Costume

French Bisque Brown-Eyed Bebe E.J., Emile Jumeau in Exclusive Christian Dior Costume

Lot #4

24" (61 cm.) Bisque socket head, brown glass paperweight inset eyes, strong dark eyeliner, painted lashes, rose-blushed eyeshadow, accented eye corners, shaded nostrils, closed mouth, shaded and accented lips, separately-modeled pierced ears, ash-blonde curly hand-tied human hair wig over cork pate, French composition and wooden eight-loose-ball-jointed body with straight wrists. Condition: generally excellent. Marks: Depose E. 12 J (head) Jumeau Medaille d'Or Paris (body). Comments: Emile Jumeau, his registered bebe model bearing his initials E.J., circa 1884. Value Points: finest bisque, painting, original body and body finish, wearing four piece silk Petit Prince costume, especially commissioned from the Parisian atelier of Christian Dior, comprising jacket, brocade vest with gilt buttons, silk pants, white shirt, and with additional jacket having pattern to match the vest and custom leather boots marked "12 E.Jumeau Medaille d'Or Paris". The jackets each bear the cloth label of Christian Dior. Included are three original hand-written letters from M. Gervais of Christian Dior to "Chere Madame", dated from April 1959 until May 1962, detailing the project such as the unsuccessful visit to an antiquarian to find the desired antique fabric, the naming of the costume as "Petit Prince", the acknowledgement that a second jacket in the same fabric as the vest, was desired, and finally the "infiniment plaisir" that Madame loved the costume.

 
French Musical Automaton "Shepherdess with Surprise Lamb" by Jean Roullet

French Musical Automaton "Shepherdess with Surprise Lamb" by Jean Roullet

Lot #14

24" (61 cm.) Posed standing upon a velvet-covered platform is a bisque head portrait lady doll, brown glass paperweight eyes, rich dark eyeliner, painted curly lashes, feathered brows, closed mouth, original blonde mohair wig, separate bisque shoulder plate, carton torso and shapely legs, bisque forearms and hands, wearing bronze green satin shepherdess gown with tiered lace sleeves. Appearing to be held in her right hand is a woven lidded basket decorated with colorful flowers, in which is hidden a little lamb; the basket is actually attached to her torso by hidden metal rods. When wound, music plays and her head turns as though gazing into the distance at her flock of sheep and she lifts the bouquet of flowers she holds in her left hand. Meanwhile the lid of her basket lifts, as though the baby lamb is just awakening. The lamb's head peeks out, turns side-to-side, and his mouth opens and closes, the shepherdess turns and nods tenderly to the baby lamb, which bleats and tucks back into the basket. The lid closes. Condition: generally excellent, mechanism and music function well. Marks: Depose Tete Jumeau 9 (head). Comments: Jean Roullet, Paris, circa 1880, with commissioned bisque portrait head from Emile Jumeau. The automaton appeared in an early Roullet catalog named "Bergere Watteau" in homage to the French painter Jean-Antoine Watteau whose early 18th-century romantic paintings had idealized the French countryside. Value Points: splendid presentation of the idealized romantic scene is accentuated by her exquisite bisque portrait face, and intricate movements, of which there are seven.

 
French Automaton "Little Girl with Singing Bird", Vichy, Lioret Phonograph Mechanism

French Automaton "Little Girl with Singing Bird", Vichy, Lioret Phonograph Mechanism

Lot #58

26" (66 cm.) Seated upon a high wooden stool with velvet cover is a bisque-head girl with blue glass paperweight inset eyes, dark eyeliner, painted lashes and brows, open mouth, four porcelain teeth, pierced ears, blonde mohair wig over cork pate, carton torso, hinged carton legs in seated pose, wire upper arms, bisque forearms. Wearing a rose silk dress, black stockings and leather shoes, she holds a conductor's baton in her right hand and a pink feathered bird sits in the palm of her left hand. At the side of the stool, a hidden metal door opens for access to the Lioret phonograph system. When wound, the doll tilts her head side-to-side, conducts the baton, and her legs cross and uncross in tune to the music of the phonograph. Condition: doll and presentation are excellent, mechanism and phonograph need adjustment to function well. Marks: Depose Tete Jumeau. Comments: The cylinder phonograph, introduced by the French inventor Henri Lioret in 1892, was first popularized in the doll industry with collaboration with Emile Jumeau in the presentation of the "Bebe Phonographe". Soon thereafter Henri Vichy saw the possibility of tapping into this new phenomena for his automata because he introduced the cylinder phonograph into his automaton line in 1895. Evidently the program was short-lived and very few pieces are known to exist today. Value Points: very rare automaton with charming action.

 
French Bisque "Bebe Phonographe", Emile Jumeau, Original "Flap" Dress, Shoes, Box

French Bisque "Bebe Phonographe", Emile Jumeau, Original "Flap" Dress, Shoes, Box

Lot #59

24" (61 cm.) Bisque socket head, brown glass paperweight inset eyes, dark eyeliner, dark painted lashes, brushstroked brows, rose-blushed eyeshadow, accented nostrils, open mouth, outlined shaded lips, six porcelain teeth, pierced ears, reddish/brown mohair wig over cork pate, French composition and wooden fully-jointed body, open front torso with metal door cover having speaker holes. Condition: generally excellent. Marks: Depose Tete Jumeau 11 (head) Bebe Jumeau Bte SGDG Depose (body) Lioret (mechanism). Comments: Bebe Phonographe presented by Jumeau in 1892 with internal phonograph mechanism by Henri Lioret. When wound at the back torso, the custom discs were designed to sing or recite a nursery rhyme. Value Points: all-original "Bebe Phonographe" with original blue flowered chemise/dress with opening front flap. Bebe Jumeau gilt label at waist, Jumeau blue socks, leather shoes signed "Paris Depose 11" with bee symbol, Jumeau earrings and "Polichinelle" recording. The doll is presented in her very important original box whose inside lid lists all the recordings "existant actuallement" including the only known commercial reference to the long-lost mysterious Russian language discs which Huguette Clark had been seeking for years. It is known that on the occasion of French President Faure's visit to Petersburg in 1897 he brought gifts for the young daughters of Tsar Nicholas II including Bebe Phonographe and, of special note, three discs of Russian language songs. These have never been found and no other Russian discs are known to exist at this time.

 
French Musical Automaton "Smiling Baker with Playful Kitten" by Leopold Lambert

French Musical Automaton "Smiling Baker with Playful Kitten" by Leopold Lambert

Lot #170

20" (51 cm.) Standing upon a velvet-covered base is a bisque man with blue glass paperweight eyes, dark eyeliner, painted lashes and brows, shaded nostrils, closed mouth in wide beaming smile with impressed dimples at lip corners, cheeks, and philtrum, painted row of teeth, pierced ears, auburn curly mohair wig over cork pate, carton torso and legs, wire upper arms, bisque forearms, wearing original silk costume comprising jacket, pants, shirt, shoes, and baker's hat. A woven tray containing an assortment of bakery goods appears to be suspended from his shoulders (but actually is supported by hidden rods in front torso). When wound, music plays, the chef turns his smiling face side to side, nods, and extends the croissant in his right hand to on-lookers, whereupon his left hand lifts a large brioche under which is hidden a paper mache kitten with pink neck bow; the kitten jumps up and down, reaching out for the croissant in right hand. Condition: generally excellent, costume original with some frailty of silk, mechanism and music function well. Marks: 203 (incised) Depose Tete Jumeau (and artist checkmarks on head). L.B. (key) (original paper tune label on base). Comments: Leopold Lambert, circa 1892, with rare bisque head from the Jumeau "Series Fantastique" models commissioned by Lambert. Value Points: rare automaton with delightful activity enhanced by the very rare character model face.

 
Stunning American Portrait of Cissy, 1960s Series, Likely a Special Commission Doll

Stunning American Portrait of Cissy, 1960s Series, Likely a Special Commission Doll

Lot #193

20" (51 cm.) Hard plastic socket head, sleep eyes, very elongated lashes, closed mouth with bright red lips, blonde wig with little curls at forehead, arranged curls at the nape, and arranged curls at her crown encircled by a braided coronet, and fronted by a gilt metal crown with "emeralds" and "diamonds", lady body with shapely torso, jointing at shoulders, hips and knees. Condition: near mint. Comments: Madame Alexander, 1960 with distinctive mouth modeling of that year, the doll never appeared in an Alexander catalog and is a previously unknown model, likely created as a prototype and deemed too expensive to produce. Value Points: extremely rare model in perfectly-preserved condition, wearing pale rose satin gown with overlay lace skirt accented with tiny rhinestones, matching trim at the neckline, and a garland of shaded roses at the front skirt, stiffened tulle petticoat, panties, stockings, silver sling heels, with triangle-shaped rhinestone earrings, rhinestone ring and double-strand bracelet, and pearl ring. In the book, Empty Mansions, author Bill Dedman recounts about Huguette's 1960s era caretaker, Delia Healey, whose duties included rushing to FAO Schwarz to buy new dolls; it is known that Delia's daughter worked at the Alexander firm during this time, and it is not improbable that she served as a liason between Huguette and Madame Alexander in the acquisition of this doll.