DREAMS

Saturday, January 7, 2023Lots 1-512

January 7-8, 2023 in Scottsdale, Arizona


The Important Legacy Doll Collection of the Late Sandy Kralovetz. Featuring more than 500 of the world’s most sought-after 19th century dolls from important French and German dollmakers, as well as very fine furnishings and accessories. Softbound. 8.5" x 11". 248 pages.

Live Auction

Showing 1 - 480 of 512

Splendid French Bisque Bebe "A.T.", Beautiful Eyes, Legendary Provenance

Splendid French Bisque Bebe "A.T.", Beautiful Eyes, Legendary Provenance

Lot #175

12" (30 cm.) Pressed bisque swivel head on kid-edged bisque shoulderplate, pale crystal blue enamel eyes with spiral threading, dark eyeliner, painted lashes, delicately feathered brows, mauve blushed eye shadow, accented nostrils and eye corners, closed mouth with heart-shaped upper lip, accent lines on lips, pierced ears, blonde mohair wig over cork pate, French kid bebe body with gusset-jointed hips, knees and elbows, bisque lower arms and hands, defined knuckles and nails. Condition: generally excellent. Marks: 3 (head) # A.T. (shoulderplate). Comments: Thuillier, circa 1884. From the family estate collection of Mildred Seeley. The bebe originally belonged to the young daughter, Elizabeth Bonduel Lillie Tabor ("Lily"), of Denver silver mine magnate Horace Tabor and his wife Baby Doe, whom he married in 1883 after a scandalous divorce from his first wife Augusta. The Tabors lived luxuriously; it is said that Baby Doe's wedding present was a $90,000 diamond necklace, and when attending the opera their box was decorated with white lilies. Baby Lily's christening gown was fashioned with diamond and gold pins and she wore a tiny jeweled necklace, costing over $15,000. Lily's later years were spent with her family, the McCourt's, and it was from this family home that the A.T. bebe of Lily Tabor was eventually acquired by Mildred Seeley. Value Points: exceptional beauty of the petite bebe with entrancing expression, splendid eyes, lovely bisque, original sturdy body, perfect bisque hands, fine antique costume, provenance.

 
Bernadine's Dollhouse

Bernadine's Dollhouse

Lot #50

80"h. x 55"w. x 22"d. The gentlemen stand in the library, their top hats on the table, leather bound books crowding the bookshelves. In the well-furnished dining room, the table is set for a bountiful banquet. The parlor organ is ready for a performance, and the velvet upholstered salon furniture awaits the elegantly clad men and woman gathered for the evening entertainment. Such is the grand cabinet dollhouse known as "Bernadine's Dollhouse". Its construction was undertaken in the 1870s by Joseph Zumbusch of Hackensack, New Jersey, father of the young Bernadine. Built of fine walnut wood, the house boasted six high-ceiling rooms and a large full-length furnished garret, which were accessed by double doors at the front. At each side were four windows and a large bay window. Handmade shingles, 1200 in all, each 1" x 1 1/2", covered the high peaked roof, and the interior rooms were finished with lithographed wall papers and wooden floors. So meticulous was the construction that ten years was required for its completion. The house was, actually, a family affair. Joseph's stepfather, William Franck, a Civil War veteran, fashioned every piece of the original furnishings by hand, enhancing them with carving and marquetry, and with well-crafted drawers and doors that smoothly opened and closed. The furniture was upholstered in rich velvet and silks by Joseph's sister, Bernadine, for whom the young Bernadine had been named. Too, Aunt Bernadine created the curtains, draperies and bedspreads, as well as costuming the dollhouse people who lived there. Finally, to call the house a home, the finishing touches were needed. For these, the Zumbusch family turned to the New York toy store of FAO Schwarz from which they acquired the dollhouse people who lived there, along with chandeliers, dishes, decorative prints and porcelains, and even a Christmas tree. Upon its completion, the house was proudly labeled with a plaque that still appears on the front doors. "B. Zumbusch 1870". The house remained in the Zumbusch family for more than 90 years. In the early 1960s, Bernadine Zumbusch moved from the family estate but not before providing a hand-written history of the house, its makers and its very detailed contents. The dollhouse was acquired by Helen Brewer, a doll collector in nearby Pelham, New York, and soon thereafter, Lenore Thomas of Arizona, became its new owner. The house resided in a corner of Lenore Thomas doll room for several decades until her passing, when it was acquired by Mickie Haynes, and then Sandy Kralovetz from whose estate it is now being offered to the next fortunate collector, still all original and still as complete as when made 150 years ago. So important was the house considered that it was written about by Flora Gill Jacobs in her 1965 edition of the book, A History of Dolls' Houses, in which she described the house as a "magnificent specimen…with original dolls and furnishings in virtually mint condition". Dollhouses with a documented and continuous provenance are so rare. This is particularly so when the house retains its original and uniquely made furnishings, as well. As an example of superb craftsmanship, and with a detailed chart of every object in each room of the house when originally furnished, and with documented family history including a provenance handwritten by Bernadine Zumbusch in 1963 when she sold the house, it remains today an exceptional visual document of American childhood history.