PROVENANCE

Monday, July 16, 2018Lots 1-441

July 16, 2018 in Scottsdale, Arizona


Over 400 lots of rare treasures of childhood past, including other important antique dolls which carry their own personal stories, some from original family owners and others having been cherished in famous collections or museums for many decades, including the important European collection of German doll author Lydia Richter, the Jim Kramer collection of rare Schoenhut circus memorabilia and superb early English wooden dolls with their family stories. Softbound. 9” x 12”. 184 pages.

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Showing 1 - 441 of 441

Important 18th Century English Wooden Doll in Original Nun Habit, with Box and Accessories

Important 18th Century English Wooden Doll in Original Nun Habit, with Box and Accessories

Lot #30

24" (61 cm.) All wooden doll with one-piece head and torso, slightly-elongated throat, strong carving of facial features, inset black enamel eyes, thick eyeliner, painted lashes, single stroke brows with feathering accents, eye corner and nostrils accents, closed mouth with center accent line, defined little chin, original complexion with blush cheek spots, dowel-jointed hips and knees of simply-carved legs, cloth upper arms, wooden lower arms with fork-shaped hands. Condition: generally excellent. Comments: English, mid-1700s, the presence of an English wooden doll in original nun presentation seems, at first, a contradiction, as Catholicism had been outlawed in England for more than a century, and, in fact, in the mid-1700s, anti-Catholicism was particularly virulent in England. Yet documents prove that not only did the religion thrive (albeit secretly), but secret convents for nuns did also, particularly among some members of the aristocratic class. This explains not only the presence of an English wooden doll as nun, but also the fact that this particular example, in a grand size and perfectly preserved, had been created for a member of the wealthy aristocracy. Who that family was still remains a mystery. Value Points: outstanding doll with intriguing provenance, fine original finish, is wearing her original nun's habit, including leather hand-stitched shoes, and two linen purses (one with satin-stitch embroidery) and is preserved in her original paper-lined wooden box along with wooden kneeling stool, embroidered silk reticule purse, blue silk slippers, other accessories, and an embroidered linen work dated 1712.

 
All-Original French Musical Automaton "Little Girl with Surprise Basket" by Lambert, with Provenance

All-Original French Musical Automaton "Little Girl with Surprise Basket" by Lambert, with Provenance

Lot #38

20" (51 cm.) Standing upon a velvet covered base is a bisque bebe with blue glass paperweight eyes, lushly-painted eyeliner, lashes and brows, accented nostrils, closed mouth with shaded lips, pierced ears, blonde mohair wig over cork pate, carton torso and legs, wire upper arms, bisque forearms. She is wearing a luxurious ivory silk satin dress with lace and ribbon trim, matching feathered bonnet and silk shoes, and undergarments, and appears to be carrying a floral draped lidded woven basket (which is actually supported by a hidden rod from her torso). Inside the basket is a little feathered bird. Condition: generally excellent, music and mechanism function well. Marks: Depose Tete Jumeau Bte SGDG 4 (doll) (original paper tune label on underside indicating the music "La Mascotte". Comments: Leopold Lambert, Paris, circa 1890, when wound, the doll turns her head from side to side, and nods, while she alternately daintily sniffs the silk rose in her right hand, and then lifts the lid of the basket with her left hand, to reveal a little bird which flutters back and forth. Value Points: in perfectly-preserved original presentation, with elaborate costume and accessories, original tune label. Provenance: This automaton, as well as the next (#39) and #201 are being presented from the British/Canadian family of Kensington. Sir Alfred Kensington served for 37 years (1877-1915) in the Indian Civil Service, most notably as Punjab Chief Court Judge, and it was during this time, according to family oral tradition that he was gifted these automata by a prominent Indian which the family referred to simply as "the Maharajah". During the late 1880s, Indian royalty traveled to Paris, notably to the International Exposition of 1889, where they garnered finest treasures and gifts to be returned with them to their Indian palaces; that was likely the source of these three automata, which were then gifted to the British nobleman for his services and friendship. Upon his departure from India, Sir Alfred carried the automata with him, where they were stored in his Guildford, England home until the 1950s, then passed along in the family until this time.

 
French Musical Automaton "Pierrot Ecrivain", Gustav Vichy, Boutique Label from Original Family

French Musical Automaton "Pierrot Ecrivain", Gustav Vichy, Boutique Label from Original Family

Lot #45

27" (69 cm.) Seated at a fine wooden desk arranged upon a wooden floor with parquet inlay design, is Pierrot, with paper mache head having classic whitened complexion, fleecy curls, glass eyes with kidskin eyelids, carton body and composition hands sculpted to appear as though holding a pen, wearing ivory silk Pierrot costume with red pom-poms, pleated collar, Pierrot hat, and pom-pom trimmed slippers, holding a quill pen in his hand. A lamp sits at the corner of the desk and an ink-script note rests below his hand. When wound, music plays (two tunes), and Pierrot moves the quill pen across the paper, as if adding further notes, then he pauses, the light turns off and and he appears to drift off to sleep. After a pause, he awakens, appears to turn the light back on, turns his head, blinks and begins to write again. Condition: structurally excellent and fresh, eyelid kid cover is worn, lamp lighting movement is batter activated, mechanism and music function well as described. Comments: Gustav Vichy, Paris, circa 1890, appearing in the original Vichy catalog as #518 titled "Pierrot Ecrivain" (Pierrot writing) and indicating that the piece was uniquely deposed by Vichy. Value Points: considered a prime luxury piece in its time, it is virtually impossible to find today, this example being sold from its original home in the Parisian 16th arrondissement, and bearing the original prestige shop label of "Nadaud" on the base.

 
French Musical Automaton "Pierrot Serenading the Crescent Moon" by Lambert, Family Provenance

French Musical Automaton "Pierrot Serenading the Crescent Moon" by Lambert, Family Provenance

Lot #49

21" (53 cm.) Seated on the tip of a paper mache crescent moon is Pierrot, with paper mache head of whitened complexion accented with jester symbols, brown glass eyes, open mouth, brunette mohair wig, slender paper mache body, wearing original Pierrot silk jacket with black tights, silk slippers, ruffled lace collar and felt feathered hat, holding a lute in his arms. The crescent moon, set upon blue clouds, has a large brown glass eye and a hinged jaw. When wound, two tunes play, Pierrot nods and turns his head while strumming the lute, and periodically saucily sticks out his tongue at the moon; the moon opens and closes his mouth as though responding. Condition: very good, some restoration to clouds and light craquelure at edge of the moon, mechanism and music function well. Marks: Vichy (metal tag on back). (paper tune label listing two tunes). Comments: Leopold Lambert, circa 1890. Value Points: one of the most beloved of 19th century automata, with amusing synchronic movements and classic Pierrot theme. Provenance: the Rollins family of New York and Connecticut; the automaton was gifted to Daniel Rollins during a business trip to Brazil in around 1890 in which he was accompanied by his wife, the writer Alice Wellington Rollins who wrote of the trip these wise words "I have no idle hours to spend in hunting up the bitter foe who simply ought to be my friend". The automaton remained in the Rollins family through generations, until this time, and included with the automaton are various letters and newspaper articles regarding the family story.

 
Rare and All-Original French Musical Automaton "The Peasant and His Pig" by Gustav Vichy

Rare and All-Original French Musical Automaton "The Peasant and His Pig" by Gustav Vichy

Lot #51

34" (86 cm.) Perched upon the top rung of a ladder back chair whose enclosed base is designed to disguise the music and mechanism of the automaton, is a paper mache man, the Peasant, with a paper mache pig seated on one knee, as though the pig is a little child. The Peasant has a composition head with exceptional characterization and modeling detail, brown glass eyes, articulated eyelids, articulated bottom lip, painted teeth, original painted finish with ruddy complexion, and brunette mohair wig. He has a carton torso and legs, hinged right hip, and expressively posed fingers, a biscuit held between two fingers of his right hand, and is wearing lavender silk jacket, silk shirt and vest, bow tie, faded striped pants, flannel top hat, red socks and leather shoes. The pig has glass eyes, double-curled tail, movable tongue between open lips. When wound, a strong musical tune is heard, while the Peasant vigorously rolls his head, blinks his eyelids, moves his lower lip open and closed, periodically moving the biscuit toward the eager pig, and then stamping his right leg up and down, and heaving his chest as though in laughter. Then just as the pig leans forward, and moves his tongue in and out in anticipation of the treat, the Peasant pulls the biscuit away in a teasing gesture. Condition: generally excellent, music and movements function well. Comments: Vichy, circa 1895, there are nine animations and two accompanying tunes achieved by a large Vichy clockwork motion and five brass cams. Value Points: an outstanding and wonderfully-preserved automata, one of Vichy's most celebrated models, of which very few are known to exist. Provenance: the private collection of Countess Irene De Chateaubriand of Ojai, California who died in 2012 at the age of 83; the eclectic collector had spent much of her life traveling between Paris and Argentina, according to stories flying her own plane, seeking the finest art and antiques including this automata

 
Collection of Twelve American Cloth Dolls Known as "Maggie-Bessie", with Pfohl Provenance

Collection of Twelve American Cloth Dolls Known as "Maggie-Bessie", with Pfohl Provenance

Lot #114

The collection is being sold directly from descendants of Maggie and Bessie Pfohl in whose possession they have remained until this time. They were the original dolls of Ruth Whittington Pfohl, the youngest niece of Maggie and Bessie, and were played with by her when growing up in the Moravian community of Salem, North Carolina. Later, the dolls moved with Ruth to California where they lived "in a box in Nana's closet", according to Ruth's granddaughter who later inherited the dolls, where "we were allowed to look at them, but were only allowed to play with a couple of small bisque-head dolls, never the Maggies". The miniature Benigna dolls came originally from the Moravian community of Bethlehem, Pennsylvania, and, according to family history, the pair of dressed dancing dolls were also made by "the aunties" Maggie and Bessie for the entertainment of Ruth and her five siblings at the Moravian parsonage. Highlighting the collection is the 18" all-cloth classic doll known as "Maggie-Bessie" with oil-painted facial features, hair and lower arms, the facial features artistically rendered, stitch-jointed body, along with her original trunk with a large bounty of costumes hand-sewn by the "aunties" as they were known in the family, and with three additional dolls in various stages of completion. There are eight 5"-6" cloth miniature dolls that were created in the sister Moravian community of Bethlehem, each carrying a little miniature cloth bag containing a history of herself such as the significance of her costume color (e.g. blue signifying a married woman); the dolls were named after Countess Benigna, the 14 year old daughter who accompanied her father to Bethlehem in 1741. Also included are a pair of 18" dancing dolls, made by Maggie and Bessie, with stitched-on hand-painted faces and applied cloth costumes with elaborate detail, and two photographs from original family archives. Good to excellent overall condition. An important document of American doll culture and history, preserved in its entirety as one collection.

 
Superb Exhibition French Bisque Bebe by Leon Casimir Bru with Rare Painted Teeth