"ROSALIE - A Life of Dolls, Part II" DAY ONE. Marquis Doll Auction Weekend

Saturday, January 11, 2025Lots 1-249

Saturday, January 11, 2025 at Theriault's Gallery in Annapolis, Maryland. Preview 9AM ET. Auction 11AM ET.

Theriault’s legendary January auction weekend ushers in Part Two of the very important antique doll collection of Rosalie Whyel, founder of the Museum of Doll Art in Bellevue, WA. There are 500 lots in the important two-day auction. Your attendance is welcome. Plan ahead now to attend this memorable event in person. Call 410-224-3655 to reserve your seat, ask for more details, and to request a free color brochure. Order the catalog here.

Live Auction

Showing 1 - 249 of 249

Important French Bisque Poupee with Distinctive Facial Model of Alexandre Dehors

Important French Bisque Poupee with Distinctive Facial Model of Alexandre Dehors

Lot #9

18" (46 cm.) Bisque swivel head on kid-edged bisque shoulderplate with delicately modeled bosom, perfectly oval face with distinctive chin, deposed Dehors neck attachment allowing the head to tilt forward and lean coquettishly from side to side (rather than simply swivel), slightly elongated throat, almond shaped cobalt blue glass enamel inset eyes, dark eyeliner encircles the eye sockets, lightly feathered brows and lashes, aquiline nose, accented nostrils and eye corners, closed mouth with upturned lip corners and accented lips lending suggestion of enigmatic smile, shaped chin with centered dimple, pierced ears, blonde mohair wig over cork pate, stretched kid over wooden poupee body with shapely torso, dowel-jointing at shoulders, elbows, hips, and knees, bisque arms with separately sculpted fingers, defined knuckles and nails, separate thumb. Condition: generally excellent. Comments: Alexandre Dehors, circa 1866. The deposed Dehors head articulation allowed the doll "to nod its head, tilt it from side to side, or raise or lower it modestly or triumphantly", according to a reviewer of the 1867 Exposition Universelle in Paris where the Dehors doll was exhibited. The facial resemblance to the beloved Empress Eugenie is remarkable, indicating that the model may have been created specifically for that Exposition, which was the crowning showpiece of the Napoleon III epoch. Value Points: the exquisite portrait lady with finest bisque and painting, rare body style, and realistic head articulation is superbly costumed in brown and ivory silk gown, brown velvet bonnet, leather heels, undergarments, and is preserved in early box along with various accessories and additional costumes.

Estimate: $18,000 / $22,000
The Extraordinary French Bisque Bebe "Blondine" with Trousseau and Family Provenance

The Extraordinary French Bisque Bebe "Blondine" with Trousseau and Family Provenance

Lot #17

22" (56 cm.) Bisque head with solid dome, blue glass paperweight inset eyes, dark eyeliner, painted lashes, brushstroked and feathered brows, rose blushed eye shadow, accented eye corners and nostrils, slightly parted lips with delicate accent lines, row of tiny porcelain teeth, pierced ears, original blonde lambswool wig, carton torso with clockwork mechanism, composition arms, hinged hips with kid cover, composition lower legs, key-wind mechanism in torso that causes doll to cry mama and wave arms and legs. Condition: generally excellent. Comments: doll by Jules Steiner, circa 1885. Value Points: in pristine unplayed with condition, as though never removed from her original box that is labeled in pencil script "Blondine", the remarkable bebe owns an extraordinary trousseau, some stored in a fine ebony black trunk with leather straps and brass hardware, and other clothing stored in original boxes. The clothing, which is as crisp and pristine as the day it was made, comprises silk velvet winter coat with white boa trim and with matching bonnet with seed pearl clusters and tiny feathers trimmed with gold beads, maroon stockings and black velvet shoes with silver buckles (being worn by Blondine); 11 additional chapeaux of extraordinary fabrics and detail; two fine lace bonnets, four knit caps, twelve pairs of stockings, five bibs or shawls, eight night sacs or blouses, five pantalets, six petticoats, eight chemises (seven embroidered "B"), blue woolen baby dress, elaborate Christening gown, blue tricot dress with matching hood and slippers, and four pairs of additional shoes (three pairs are signed B.V. for Brasseur-Videlier, the prestigious Parisian boutique). Accessories include two curved hair combs, bone-handled parasol in original box from A La Tentation Parisian doll boutique, jewelry, bone rattle, two boxes from Bapteme de ma Poupee. Provenance: Blondine and her trousseau originated from the French estate of the Convert Family of Oyonnax in the Jura Mountains. Beginning about 1860 the Convert name became important in the production of beautiful hair combs from the newly invented material of celluloid. Although wooden decorative combs had been produced in the town for more than a century from the plentiful nearby forest woods, this new material allowed a level of abundance that had not existed before. The Convert family thrived and enjoyed the fruits of their prosperity for themselves and for their daughter. Meanwhile, introduced in Paris at the time was the new doll phenomenon known as "bebe". Its originator was Jules Steiner to whom the Converts felt an affinity as he had been born in Dijon, not very far from their own home town. So, on a far-away trip to Paris, some 500 kms from Oyonnax, the Convert family chose a Bebe Steiner as a gift for their daughter and on subsequent trips to prestigious Parisian doll shops they added a trousseau for the doll that was notable in the luxury of its fabrics and couturier design. The doll was named Blondine, its still-faint name handwritten on the box in which has been stored for more than 135 years. The name of the daughter is not known nor is the reason why the doll and its trousseau remained unplayed with, still preserved today in unimaginably pristine condition. The doll, from its original French estate was acquired by Rosalie from a 2004 Theriault's auction, and has remained a prize of her Museum and collection for two decades.

Estimate: $28,000 / $37,000
Gold Horse Guaranteed
French Bisque Bebe Gourmand by Leon Casimir Bru

French Bisque Bebe Gourmand by Leon Casimir Bru

Lot #62

18" (46 cm.) Pressed bisque swivel head with very full cheeks and strong throat, on kid-edged bisque shoulderplate with modeled bosom and shoulderblades, amber brown glass enamel inset eyes with spiral threading, thick dark eye-liner encircles the eye sockets, painted lashes, rose blushed eye shadow, delicately feathered brows, accented eye corners and nostrils, open mouth with shaded and accented lips, porcelain tongue inside the head set in framework allowing the long tongue to be "stuck out" to receive biscuit and then tip backward as though swallowing, firmly stuffed bebe torso and upper legs, kid upper arms, bisque forearms with exquisitely sculpted hands, bisque lower legs from above the knee, bisque feet with open soles. Condition: restoration on the throat of head, and feeding mechanism tubes need reattachment, bisque shoulderplate, arms and legs are excellent, kid torso is original and excellent. Marks: (circle/dot symbol on head) Bte SGDG (forehead) 1 T (right shoulder). Comments: Leon Casimir Bru, his Bebe Gourmand, first advertised by Bru in 1882 as "delicieux bebe a surprise"; although he described the bebe as a registered model no record of its depose has been found. The bebe is designed that when a tiny biscuit is placed on the tongue, it falls backward as though being swallowed, falls through a tube, and comes out through one of the open foot soles. Value Points: exceptionally rare, few models are known to exist, this being an early 1882 model, with very fine sculpting especially notable in hands and muscular legs, with original aqua silk dress, and original unique signed Bru shoes with "trap-door" opening in the soles to re-capture the "digested" biscuit.

Estimate: $8,000 / $12,000
Pair, French Wooden Court Doll Depicting Marie Antoinette and Louis XVI

Pair, French Wooden Court Doll Depicting Marie Antoinette and Louis XVI

Lot #66

13" (33 cm.) and 16". Each has carved wooden one-piece head and flat-backed torso, oval face and elongated throat, sculpted groove-defined hair with elaborate arrangement of rolled curls (she with upswept braid at center back of head and he with extended periwig with black bow), deeply-defined eye sockets, black upper eyeliner, blue eyes, blushed eye shadow, closed mouth, she with generously modeled bosom and defined female genitalia on torso, he with tinted chin stubble and defined male genitalia, cloth upper arms, wooden lower arms, wooden legs with loose pin jointing at hips and knees, she with painted green shoes and he with wooden shoes with gold buckles. Condition: generally excellent, original finish, he is missing curl on one side. Comments: French, late 1700s, the dolls are believed to depict Marie Antoinette and Louis XVI, each wearing original costume, she in beautifully detailed original low-bodice gown and he wearing original brocade silk jacket and pants, lace jabot. Value Points: uniquely-sculpted dolls, each one of a kind, with original finish. Value Points: the uniquely-sculpted dolls with extraordinary detail of coiffure have original finish and are wearing original costumes. Ex-Mathes collection, the dolls are featured in the book The Rose Unfolds by Rosalie Whyel and Susan Hedrick, page 14 and in the book Les Poupees Royale by Francois Theimer, page 54.

Estimate: $12,000 / $16,000
Pair, Carved Wooden Lady and Gentleman with Intriguing Provenance

Pair, Carved Wooden Lady and Gentleman with Intriguing Provenance

Lot #79

21" (53 cm.) and 22". Each is all carved wood with one-piece head and torso, inset glass eyes, refined expression with original painted complexion and features, tenon-jointing of shoulders, elbows, hips and knees; the man with sculpted and painted short brown hair with groove-defined curls; and the woman with unusual brunette hair inserted into scalp in the manner of the 1880-era Joseph Kubelka (Austrian) artist, and with added painted tendrils of curls around the forehead; each doll is well-detailed vintage costumes. Condition: generally excellent, few minor rubs on original finish. Comments: maker uncertain, although the hair style of the woman is identical to that deposed by Joseph Kubelka in 1884, the sculpted hair style of the gentleman appears later suggesting the woman's hair construction may be based on the 1909 similar hair system registered by Theodor Friedman in 1909. Although the maker of the dolls remains in discussion, their personal history is well-traced. The dolls were acquired in Paris in 1991 by antiquarian Harriet Miller of Virginia, then resided in Gay's Doll House Museum in Maggie, North Carolina until their acquisition by Mildred Seeley who wrote about the dolls in her book, Judging Dolls, and finally by Rosalie Whyel where, as she noted in her book The Rose Unfolds, page 16, they have "grandly resided...important doll history hidden - at least for now - behind their enigmatic smiles".

Estimate: $8,000 / $12,000
French Bisque Poupee with Extensive Trousseau and Intriguing Provenance

French Bisque Poupee with Extensive Trousseau and Intriguing Provenance

Lot #105

25" (64 cm.) Bisque swivel head on kid-edged bisque shoulderplate, delicate complexion with softly blushed cheeks, brilliant cobalt blue glass inset eyes, dark eyeliner, painted lashes, lightly-feathered brows, accented nostrils, closed mouth with accented lips, unpierced ears, brunette human hair wig over cork pate, French kid poupee body with gusset jointing at elbows, hips and knees. Condition: generally excellent, very sturdy original body. Comments: French, attributed to Barrois, circa 1868. Value Points: the doll is presented with wooden base containing a vast assortment of original costumes ranging from gowns to day dresses and, with an unusual inclusion of two nun habits, one a novitiate gown and the other the habit of the Carmelite nun. Also included are seven packets of folded clothing tied with pink ribbons and identified as "ma layette", "mes pantalon" and so forth, and a wooden box with additional shoes, woven slippers and other accessories. Included is a framed 1868 baptismal certificate for the young child Marie Cecile Moulin of Saint Priest, France, and a research paper suggesting that the doll and its trousseau was a baptismal gift for Marie Cecile who was likely the niece of one of the Carmelite sisters. The paper notes that Marie Antoinette had a doll dressed in the Carmelite habit for her daughter so that the child would not be frightened when she visited her aunt, the queen's sister, who was a Carmelite Nun.

Estimate: $7,000 / $9,500
Important French Bisque Art Doll by Albert Marque in Original Margaine-Lacroix Costume

Important French Bisque Art Doll by Albert Marque in Original Margaine-Lacroix Costume

Lot #179

22" (56 cm.) Bisque socket head with highly-artistic sculpting achieved by a unique four-part mold used only for this doll, prominent definition of facial planes, softly-rounded nose, heart-shaped face with elongated slender throat, blue glass paperweight eyes, thick dark eyeliner, painted dark curly lashes, feathered brows, accented eye corners, shaded nostrils, closed mouth with petulantly-shaped lips, well-modeled pierced ears, original brunette human hair hand-tied wig, uniquely modeled body with elongated tapered-shape torso, wide hips, undefined waist, composition upper arms, bisque lower arms with bisque attached-ball-joints at the elbows, separately sculpted fingers, wide upper thighs, elongated lower legs with shapely calves, elongated narrow feet. Condition: generally excellent, a barely perceptible line (likely original firing line) extends the vertical length of the throat. Marks: A. Marque (incised signature on doll) Margaine-Lacroix (cloth label on costume). Comments: France, circa 1916, the artistic doll was commissioned from and sculpted by the esteemed French sculptor, Albert Marque for 1916 exhibition presented by Parisian art patron, Margaine-Lacroix in her fashion boutique. The dolls were presented in costumes of one of three major themes, historical French costumes, French court persons, and Russian folklore, this being the latter theme. Value Points: the rare and important art doll, considered the apogee of the French doll Renaissance movement of the early 1900s, is wearing original folklore style costume with richly embroidered details and symbols bearing Margaine-Lacroix label, leather shoes with Alart symbol, and elaborate berry-trimmed coronet.

Estimate: $40,000 / $60,000