I ONLY WANTED TO WONDER

Tuesday, August 1, 2017Lots 1-501

Tuesday, August 1, 2017 in Orlando, Florida


Showcasing two important doll collections including The Private Collection of Lorna Lieberman, Part I, who for more than five decades has gathered fine antique dolls with an eye for both rarity and quality. A lifetime member of the early Doll Collectors of America, as well as the Boston Study Club of UFDC, Lorna has created a collection that is the perfect balance between a pure and simple love of dolls and the scholar’s zeal to truly know all about them ... the enigma suggested in the auction title “I Only Wanted to Wonder”. And including the complete and extensive Private Collection of Petra Aichele of Stuttgart, Germany. 8.5" x 11". Softbound. 252 pages.

Live Auction

Showing 1 - 480 of 501

Important and Unique French Child Artist Mannequin with Renoir Provenance

Important and Unique French Child Artist Mannequin with Renoir Provenance

Lot #204

42" (107 cm.) One-piece paper mache head, torso and legs, with hand-pressed details of facial modeling, the head posed turned slightly to the side and upward tilted, with unusual very deep eye sculpting lending a dimensional effect that is enhanced by dark shaded painting, grey eye shadow, brown eyeliner and shaded brows, accented nostrils of small rounded nose, closed mouth with solemn expression, wooden upper arms designed for articulation at the shoulders and elbows, paper mache lower arms with fingers posed for holding articles, the right leg with cast iron hinging mechanism in the knee to allow articulation, the right leg with hole in sole for placement on display floor dowel, with painted blue stockings and black one-strap shoes. The child is wearing brown woolen coat with wide handmade cotton lace collar and cuffs, grey silk dress with lace bodice, undergarments, a lavishly feathered cap, and carries a wooden-handled black parasol. Provenance: It is generally acknowledged that the Impressionist artist, Pierre Auguste Renoir, used child mannequins as models in his studio, finding that live child models were simply too restless. The mannequin presented here is believed to be the actual model that appears as the young child with hoop in his painting, The Umbrellas, based upon the exceptional quality of sculpting (especially of the eyes) indicating its unique creation under specific directions, and upon its uncanny facial resemblance to the child in the painting. In addition, although its costume is identical to the child in the Umbrellas painting, it is also believed that the same mannequin, with different costuming, was used by Renoir in the paintings Two Sisters and Girl with a Watering Can. Equally compelling is the oral information concerning the background of the piece. It was acquired directly from Renoir in his later years by Bernard Davis, a Russian-born American who had parlayed his textile-made fortune into a collection of modern French art and who served as patron to many of those artists, in particular befriending Renoir. Later, in 1959 Davis opened his Museum of Modern Art in Miami, featuring the mannequin therein. After his death, the contents of his museum were sold and the mannequin acquired by a private collector in whose family's hands it has remained until this time. During the past 30 years the mannequin has been featured in special exhibitions of Impressionist art at the Kimball Museum in Texas and the Chrysler Museum in Virginia, among others. (documents relating to these exhibits are included). It was presented at auction in 2011 by Theriault's and acquired by the late Liv Greta Brem of Oslo, Norway, in whose museum is has resided until now.

 
Heather Smith's Outstanding English Poured Wax Child Doll, Montanari, Provenance

Heather Smith's Outstanding English Poured Wax Child Doll, Montanari, Provenance

Lot #43

19" (48 cm.) Honey-toned poured wax shoulderhead turned to the left, plump rosy cheeks, blue glass inset eyes, delicately tinted features, closed mouth with downcast lips with tristful expression, soft mohair tendrils inserted into scalp, softly-stuffed muslin body, poured wax lower limbs, bare feet, wearing original fine white cotton dress with broderie Anglaise bodice, undergarments, socks and shoes, and lace coiffe decorated with fabric flowers. Condition: generally excellent. Marks: Montanari ...189 Soho Bazaar (partly legible signature on torso). Comments: Montanari, circa 1845. The doll was a gift to the young English girl, Heather Smith on her 9th birthday in 1848. The doll has been preserved in her original wooden box with British cabinetmaker's label on the underside since 1848 according to an ink written note that accompanies her. The box is fully lined with padded polished sateen that is edged with silk fringe and with original label on the lid "Gordon Smith, With Great Care". An ink-script note attached to the inside bottom of the box reads "This doll which was given to me by Aunt on my Birthday October 23rd 1843 was...placed in this box which Mamma gave me October 23rd, 1848. H. U. Smith". Evidently, soon after Heather received the birthday doll, she damaged its arm and it was sent for repair. When the doll arrived back to Heather she placed it in the box where it remained thereafter, along with three original poems about the doll, one "written" by the doll upon its return to Heather, proclaiming "I've come back again, my sweet mother to cheer". Included with the doll and custom box are the three handwritten poems and a hand-painted porcelain miniature painting of the doll which hangs in the box. Value Points: an extraordinary doll, notable for its beautifully-preserved condition, with rare maker's mark, and outstanding provenance including documents and miniature painting. The doll was showcased for many years in the Mary Merritt Doll Museum of Pennsylvania until its closing in 2005, and has been cherished in one collector's home since that time.

 
Extremely Rare French Bisque Art Character Doll, Albert Marque, Provenance

Extremely Rare French Bisque Art Character Doll, Albert Marque, Provenance

Lot #34

22" (56 cm.) Bisque socket head composed from unique four-part mold, elongated throat, full cheeks and well-defined temples and chin, blue glass eyes, painted curly lashes with darker lashes at bottom eye rim, brushstroked and feathered brows, accented eye corners, high forehead, distinctively-shaped nose with rounded tip, closed mouth with shaded and accented lips, distinctively-shaped ears, pierced ear holes, original ash-white mohair wig and pate, uniquely designed composition body whose torso tapers from narrow shoulders to broad hips, undefined waist, elongated composition upper arms, bisque forearms with attached bisque ball-joints at the elbows, separately-sculpted fingers, wide upper thighs, elongated lower legs with shapely calves, slender ankles, elongated feet, wearing antique woolen dress with red satin lace collared blouse, antique bonnet, original shoes with Alart label, stockings, and undergarment with the cloth label of "Margaine-Lacroix". Condition: generally excellent. Marks: A. Marque (incised signature on head) 50 (red ink lettered on head) Margaine Lacroix 19 Boulevard Haussman Paris (cloth tag on slip) Paulette Louis XV (pencil label on foot). Comments: French, circa 1916, the portrait doll was sculpted by the esteemed French artist, Albert Marque (1872-1939) and presented on a unique body made for this model only. The doll, made in an edition of only 100 dolls, was introduced in the exclusive Parisian couturiere of Margaine-Lacroix in 1916, and purchased by the Berger family of Paris. The doll, which remained in the Berger family for 86 years was presented at auction by Theriault's in 2002; it has been in the hands of only one collector since that time. Value Points: superbly preserved example of the very rare doll, of which only 100 were made, with exceptional quality of sculpting and bisque, and with complexion and painting that is superb in their execution. The body is impeccable, the wig is original, and the costume bears original boutique label. When the doll was first auctioned, a note from the original owner, Emilienne Berger of Boulevard Victor, Paris was included, noting, "My memories concerning the origin of the doll are distant. My father who carried home the doll when I was very little, died a few years after the Great War. Evidently I was not allowed to play with this doll which was very fragile and very large for me, and that represented to my mother a sort of relic. The doll, during my young years, rested in a box at the bottom of the bookcase in the salon. I had to content myself with playing with smaller dolls that I received each year with my subscription to Semaine de Suzette. This doll, a little mysterious, came to live with me in time and it is with great regret that I am separating from it. I have no one to leave it with. My dearest hope is to see it adopted by someone who will love and take care of her."