FOR THE LOVE OF THE LADIES

Saturday, October 1, 2016Lots 1-449

October 1-2, 2016 in Phoenix, Arizona


The Estelle Rose Johnston Collection of Important Dolls from the 18th and Early 19th Century. After the July 2013 Part I auction of the legendary collector Estelle Johnston, Estelle fulfilled a lifelong dream. She moved from her beloved Atlanta to the rocky seacoast of California. And with her went favored dolls. Early dolls of wood and paper mache, fine porcelain dolls, and exceptional poupées from the French golden years. This final collection of Estelle Rose Johnston, encompassing several hundred remarkable dolls, were presented in this single-owner estate auction. 8" x 11.5". Softbound. 200 full-color pages.

Live Auction

Showing 1 - 449 of 449

Extremely Rare French Bisque Poupee Signed by Dehors with Unique Body

Extremely Rare French Bisque Poupee Signed by Dehors with Unique Body

Lot #53

17" (43 cm.) Pale bisque swivel head with perfectly-egg-shaped head and elongated throat on kid-edged bisque shoulder plate, deposed Dehors head articulation, blue glass enamel inset eyes, dark eyeliner encircles the eyecut, painted lashes, widely-arched feathered brows, aquiline nose with accented nostrils, accented eye corners, closed mouth in smiling expression, outlined lips, unpierced ears, blonde mohair wig over cork pate, unique body with kid-over-carton torso, kid-over-wooden legs with hinged articulation at hips and knees, gesso-over-composition ankles and feet with defined toes, kid-over-wooden upper arms, bisque arms from above the elbows with very expressive separated fingers, defined knuckles and dimpled elbows. Condition: generally excellent, tip of left index finger missing. Marks: A. Dehors 4 Brevete JP 2 (shoulder plate). Comments: Alexander Dehors, circa 1866, his depose of that year concerned the articulation of the poupee head designed to allow the doll to "tilt her head to one side or lower or raise modestly or triumphantly" (Nicolle,1867 review). The Dehors system appeared on generic models and, very rarely, on portrait models, such as this, that bears his incised signature. The actual doll is shown in The Encyclopedia of French Dolls, page 175. Value Points: extremely rare poupee with maker's signature, expressive portrait face, deposed neck articulation, original unique body, choice bisque and painting, all enhanced by original sheer muslin gown with block-printed floral design, blue velvet and silk bonnet, undergarments, kidskin slippers. The doll has a blue ribbon award from 2002 UFDC convention.

 
French Bisque Poupee Known as "Mlle Emilie Desmains" with Extensive Trousseau

French Bisque Poupee Known as "Mlle Emilie Desmains" with Extensive Trousseau

Lot #86

15" (38 cm.) Bisque head on kid-edged bisque shoulderplate with deposed Dehors neck articulation allowing the head to nod and tilt as well as classic swivel, cobalt blue glass inset eyes, dark eyeliner, painted lashes, feathered brows, accented nostrils and eye corners, closed mouth with accented lips, ears pierced into head, brunette human hair wig in elaborate braided coiffure over cork pate, commercial muslin stitch-jointed body with porcelain hands. Condition: generally excellent. Comments: French, circa 1870, on its original American kid body with 1869 patented porcelain hands by Martin Kintzback (hence, the amusing French name of the doll, Mlle Desmains - "of the hands"). Value Points: the beautiful doll, likely the prized treasure of a young American girl, is preserved in its original elaborately fitted trunk along with an extensive trousseau, in addition to the early costume that she is wearing, comprising: six white petticoats (one with train), one hooped petticoat, one hoop, two woolen or padded petticoats, several blouses and chemisettes, pantalets, stays, one silk overskirt, two vests, silk aqua fitted jacket, cotton day jacket, two shifts, cashmere fringed cape, checkered jacket with cape collar, brown plaid cape vest and cap paisley vest, brown fur jacket with matching muff and collar, black velvet vest, four pairs of stockings, five folding fans (one in original box), bone-handled parasol, two pairs evening slippers, two high button kidskin boots, pair leather leggings, paisley travel shawl, two snoods, four mesh or metal purses, three kid purses (two with original waist belts), seven fine early bonnets, and a myriad of jewelry, small games, and accessories.

 
Important 18th Century Carton Lady Doll, Fine Early Costume Having Provenance Clues

Important 18th Century Carton Lady Doll, Fine Early Costume Having Provenance Clues

Lot #131

31" (79 cm.) Solid domed carton head to waist with plump face, well-defined bosom and tiny waist, painted complexion with blushed details and two beauty marks, well-defined facial features especially eye sockets, eyelids and chin, painted brown eyes, fringed lower lashes, brows, accented nostrils, closed moth dimpled chin, pierced ears, tacked-on kid upper arms, metal-hinging at elbows, wooden lower arms and separately-sculpted fingers, dowel-jointed legs, metal hinged knees. Condition: structurally excellent, probable very early retouch of painted finish. Comments: French, late 1700s; although the silk tape measure on the lady's chatelaine has hand-lettered "inch" designations (rather than centimeters), it is important to note that the metric system did not flower in France until 1799. Value Points: the very rare early doll has fine original costume including chemise and linen half slip that are monogrammed C.J.T., superb hand-stitched bone and silk stays, needlepoint shoes that are monogrammed T and have leather heels, trapunto quilted petticoat, silk gown, hand-woven shawl and apron with featherstitch embroidery, pearl stockings, pearls, woven headpiece, and an early sewing chatelaine. A particular favorites of Estelle Johnston, she featured the doll in several articles, noting that the doll "reflected a rather confident, self-assured maturity with double chins definitely suggesting prosperity", and is cited in the book, Rare and Lovely Dolls of Two Centuries by John Darcy Noble (Hobby House 2000) as "exceedingly rare...only the second example known".

 
French Bisque Gliding Musical Mechanical Lady, Portrait Face, Attributed to Roullet

French Bisque Gliding Musical Mechanical Lady, Portrait Face, Attributed to Roullet

Lot #324

15" (38 cm.) Bisque shoulder head with perfectly oval face and defined throat hollow at the base of her elongated throat, cobalt blue enamel inset eyes, dark eyeliner, painted curly lashes, arched brows, accented nostrils of aquiline-shaped nose, closed mouth with suggestion of smile, unpierced ears, on original carton torso and legs, with hand-stitched original kid arms having fingers stitched to hold objects; the lady is standing upon a wooden platform with three cast brass wheels, in front of a wooden box which contains mechanical works. When wound, music plays and the lady glides forward and in circles, while alternately lifting each arm to peer through her lorgnette or to fan herself. Condition: generally excellent, mechanism and music function well. Marks: F.Depose G. (front shoulderplate). Comments; attributed to Roullet, circa 1867, with original commissioned portrait head from the porcelain firm of Gaultier. The gliding lady and similar waltzing couple automata remained desirable luxury pieces throughout the golden age of automata, beginning with wax models by Theroude about 1845, and continuing into outstanding examples by Vichy, such as this example. Value Points: the rare automaton has gorgeous portrait face, enhanced by original wig and lovely antique costume which includes original hoop frame for train (designed especially to both cover the mechanical box and prevent costume tangling with that box), original Roullet key and stop-start lever.

 
Pair, American Cloth Dolls by Roxana Cole, Original Cole/Johnston Provenance

Pair, American Cloth Dolls by Roxana Cole, Original Cole/Johnston Provenance

Lot #335

21" (53 cm.) Each is constructed of firmly-stuffed tightly-woven muslin with stitched-on head, and having slightly-rounded shape of nose tip and chin, stitch-jointing at shoulders, elbows, and hips, stitch-defined fingers with separate thumbs, painted curls around the face, painted brown outlined eyes, defined nose, coral-shaded lips with center accent. One doll is wearing ann antique baby gown and bonnet, and the other a dotted Swiss dress with bretelles and ruffled sleeves, ruffled bonnet, undergarments, stockings, and shoes. Condition: very good, some facial fading and light spotting. Comments: made by Roxana Cole, mid-1880s, the folk cloth doll artist of Ripley, Mississippi and, later, Conway, Arkansas. Although few dolls of Roxana Cole are known to exist, it documented that she shipped commissioned dolls over the United States according to an April 22, 1898 retrospective article in the Boston Daily Advertiser; five of these dolls are at the Wenham Museum in Massachusetts. According to family tradition, many of the dolls were given to Cole family members, which came to include the Johnston branch, into which Estelle married and was gifted the dolls for her collection. These dolls that have remained in the Cole/Johnston families for their entire history. Estelle Johnston wrote of the dolls in an August 1970 article in Doll News (copy of that magazine included), and later in an article entitled "Heirlooms of the Heart" appearing in Dolls, The Collector's Magazine in November, 1994. Included with the pair of dolls is a full-size pieced quilt also made by Roxane Cole, and various research documents including a copy of a letter written by Roxana Cole to Cousin Blanche in November 1862 telling of the "grim horrors" of the Civil War as it came to "our quiet isolated little town". Value Points: among the least-seldom-found dolls made by 19th century American women entrepreneurs, this pair is enhanced by Cole/Johnston family history and related ephemera.